“In the days after the procedure I was sometimes so exhausted by movement that I would wait patiently for someone to come in and give me a paper cup of pills that was almost, not quite, out of my reach. But somehow, I would always contrive to get my pen in my hand, however far it had rolled… When Virginia Woolf’s doctors forbade her to write, she obeyed them. Which makes me ask, what kind of wuss was Woolf?” Hilary Mantel writes a diary on hospitalization for the London Review of Books.
Michele Bachmann will participate in a live chat with Newsweek today, and will perhaps speak about the issue’s controversial cover. To prepare, NPR looks into which books and beliefs have shaped the presidential candidate’s views.
“The book documents its time, a time when homosexuality was illegal, and still described in medical books as a mental illness. It is one of the best firsthand accounts of what it was like to be gay in the mid-20th century — ostracized — separate from the mainstream world. It reveals, through its characters, how young men couldn’t admit, even to themselves, that they were what society deemed perverted.” On the novel City of Night by John Rechy.
What is the function of the art critic, anyway? According to Barry Schwabsky at The Nation, it is not “making or breaking” an artist, but rather “opening up perspectives without … belaboring them.” For the critically minded among you, here’s a Millions review of A.O. Scott’s new book Better Living Through Criticism.