The New Yorker Book Bench has posted its 2010 Holiday Gift Guide.
Ever-expanding Amazon is getting in on the app store action with an app store of its own, launching today (and featuring, what else, Angry Birds). Some analysts believe the move presages a plan for Amazon to launch a more fully featured tablet, modeled on the Kindle, but able to play all the movies, music (and now apps) that Amazon now sells in digital form.
“That little book had such an impact. It changes the course of history. When you think about how sheer accident can change so much, it’s breathtaking.” A set of Luo-language books written by President Obama’s father are up for auction until today, reports The New York Times. Written for the East African Literature Bureau,“the series uses the character Otieno, the Wise Man to offer advice on farming, healthy eating habits and other topics.” Pair with our own Janet Potter on reading presidential biographies.
“The company, in its most cutting-edge incarnation, has become the arena in which narratives and fictions, metaphors and metonymies and symbol networks at their most dynamic and incisive are being generated, worked through and transformed… It is funky architecture firms, digital media companies and brand consultancies that have assumed the mantle of the cultural avant garde. It is they who, now, seem to be performing writers’ essential task of working through the fragmentations of old orders of experience and representation, and coming up with radical new forms to chart and manage new, emergent ones. If there is an individual alive in 2015 with the genius and vision of James Joyce, they’re probably working for Google.” From The Guardian, a look at “fiction in the age of data saturation,” with a healthy dose of anthropology thrown in just for fun.
According to Gilles Deleuze, “the lives of philosophers are rarely interesting.” This may have come as a surprise to Jacques Derrida, who once spent a couple days in jail after cops in the Prague airport tried to frame him for smuggling weed. (This incident gets ample coverage in a new biography of the scholar).
“You could say that Fancy is about a couple of comical old kooks stuck in a dismal town finding creative ways of making themselves (and some luckless bystanders) crazy … and you wouldn’t be wrong. But you could also say that it’s the story of the composition of the manifesto of a bizarre and protean (protozoan?) order of being in which we’re all just patterns mistaking ourselves for people.” In a piece for BOMB Magazine, Scott Esposito interviews Jeremy M. Davies about Bernhard, Olive Garden, writing Fancy and reintroducing humor into modernist literature. Their conversation pairs well with our own Nick Ripatrazone‘s look at, well, the conversations of BOMB interviews.