Newsweek takes an “infinitely fascinating quest” through David Foster Wallace’s just-released archive at University of Texas’ Harry Ransom Center.
From the Mixed Up Files of DFW
Hors de Texte
I would like to nominate Sam Anderson's riff on Roland Barthes's Mythologies for the best lede ever. I would also like to order a tee shirt for a faux boy band composed of Lacan, Derrida, Barthes and Foucault.
Comic Fans
When Adrienne Raphel got to the Iowa Writers’ Workshop, she found a group of writers as addicted to fonts as she was. Over time, a “font subculture” developed among the poets, who settled on particular fonts as their signatures, at least for a while. At The Paris Review Daily, she writes about her typographic bent. Pair with our own Garth Risk Hallberg on the use of fonts in publishing.
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“We call this fandemonium”
Reuters has a short piece on The Hunger Games and the long tradition of American Literary tourism. Well, when in Rome... or Atlanta...
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Remembering Nora Ephron
The New York Times looks back on Nora Ephron's career and celebrates her distinct tone. EW has collected some of the best quotes from her books. Ariel Levy recalls her first encounter with Ephron's "funny, frank, self-effacing but never self-pitying, and utterly intimate" voice.
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Nicholson Baker Overload
In addition to House of Holes' recent coverage in the New York Review of Books and Open Letters Monthly (and on The Millions), the latest edition of The Paris Review features an interview with "mad scientist of smut" Nicholson Baker. (You can check out an excerpt here.) But for those still unsatisfied, Adam Wilson has assembled a canon of raunchy literature.
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