Newsweek takes an “infinitely fascinating quest” through David Foster Wallace’s just-released archive at University of Texas’ Harry Ransom Center.
From the Mixed Up Files of DFW
What Happens When It Becomes Self-Aware?
An NYU graduate student has created the BurritoBot, a robot capable of “printing” edible bean burritos, and you can control the machine with your iPhone. Humanity, we have peaked.
False Negative
A striking photo of the Brontё sisters is not, in fact, a photo of the Brontё sisters. The women in the photo look a lot like them, but their hometown didn’t have much in the way of photography in the 1840s, and there isn’t any record of the Brontёs getting their photo taken. So how did the picture become known for being something it isn’t? At the LRB’s blog, Alice Spawls explains why. Pair with our own Edan Lepucki on Jane Eyre’s Mr. Rochester.
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Capital Idea
“The Goldfinch is a grand nineteenth-century novel in that it is an 800-page chronicle of capitalism, a paean to the ways in which the world turns on the questions of who can or can’t pay for what, and how these abilities and inabilities mold us over time. Like the life events and relationships it depicts, it purports to be about love but is actually about money. This portrayal of twentieth century North American society is accurate, but also, just as in life, both exhausting and demoralizing.” On Donna Tartt’s latest novel. (You could also read Adam Dalva’s take on the book.)
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2015 VIDA Count
The 2015 VIDA count was published on Wednesday, tracking the representation of race, ethnicity, gender, sexual identity, and ability in liberal arts. It’s a good time to revisit our piece on last year’s numbers to see what progress has been made.
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A Disturbance in the Force of the Joyce Estate
Our own Mark O’Connell likens James Joyce’s grandson to a “highbrow Darth Vader.”
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Pictorial Gateways
What is the best approach for creating a book cover? Over at Capatult, Tanwi Nandini Islam considers the best book cover for her debut novel, Bright Lines. Also check out this comparison of U.S. and U.K. book covers.