From Lev Grossman’s blog, “A Brief Taxonomy of Writers”: “As far as I can tell there are two kinds of fiction writers: those who read no fiction while they write, and those who constantly read fiction while they write. Let’s have cute names for them. We’ll call them Soloists and Thieves.”
Fiction Writers: Soloists or Thieves?
Sloane Crosley’s Travel Advice
Sloane Crosley, this year’s editor of The Best American Travel Writing, out today, wrote some key travel tips for those who are vain, budget-conscious, and notoriously lazy.
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Foul Swine
Somehow we knew that Gary Shteyngart had a pretty interesting childhood. As Andy Borowitz explains in a review of Little Failure, the author’s new memoir, the elder Shteyngart regaled his son with “outlandish” stories, most notably “a sci-fi saga about a Jewish planet under constant attack by volleys of pork.” You can learn what the author likes to read today in his Year in Reading piece.
Steve Jobs
60 Minutes aired a great overview of Walter Isaacson‘s bestselling (yet just released today) Steve Jobs biography. The book was also reviewed by Janet Maslin for The New York Times.
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Like Something in the Movies
Vladimir Nabokov’s Lolita is one of those rare few classic novels that translates well to the big screen. To some extent, this was intentional — Nabokov often wrote fiction with an eye to selling film rights. John Colapinto writes about the author’s relationship with the cinema over at Page-Turner. You could also read our own Lydia Kiesling’s Modern Library Revue of Lolita.
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Moonlighting as Ian Fleming
It’s rare that you find someone as eclectic as William Boyd. Not only did the British writer’s new play (based on two of Chekhov’s short stories) debut in London this week, his upcoming novel will star none other than James Bond. (If you’re wondering, his friend Daniel Craig is not how he pictures the superspy.)
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Speaking with Greenwell
Recommended Reading: The Paris Review Daily interviews Garth Greenwell, author of What Belongs to You, possibly the next great gay novel.
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Fair enough, but are you saying their are writers out there who don’t read books? That’s pretty amazing. How good can these ‘soloists’ be? There’s not really that much in the way of truly original characters/plots etc in the world; whats interesting and original is typically a handful of so-so ideas combined in a very clever way. People who read alot of fiction might have more ‘soso’ ideas (borrowed) from which to pick.Then again, most of what we write is heavily influenced by our own lives. So the soloists could be just writing from their own life. Not exactly fiction.
Bottom line: I don’t think we should chastize those who ‘borrow’ ideas, as I think originality is kind of overrated. The point is not to be clever or cute, but to be good. The thing with writers who read alot of great books, they tend to absorb not only writing styles (what you might consider influencing styles) but other people’s ideas for plot/characters, subconsciously. Writers who read alot tend to be much better writers.
It’s amazing to me too, but I met a novelist at a literary festival once who claimed he never read books. I haven’t read his work yet, but he was shortlisted for the Giller prize (one of the top awards in Canada) so I’m assuming he must be good.