From Lev Grossman’s blog, “A Brief Taxonomy of Writers”: “As far as I can tell there are two kinds of fiction writers: those who read no fiction while they write, and those who constantly read fiction while they write. Let’s have cute names for them. We’ll call them Soloists and Thieves.”
Fiction Writers: Soloists or Thieves?
Nothing if Not Consistent
Fans of Moby-Dick should read Nathaniel Philbrick's outstanding historical account In the Heart of the Sea. The book, which tracks the fate of The Essex, a New England whaling vessel sunk by a humongous sperm whale in the South Pacific, is vivid and harrowing. It's also, as it turns out, only one of the naval catastrophes to befall George Pollard, Jr., The Essex's captain: a second wreck of his was recently located off the coast of Hawaii.
9 Big Books from Small Publishers
From The Huffington Post: nine big books from small presses.
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Astaroth, Prince of Hell
Here’s to wishing you a spooky Halloween with this piece by Micah Nathan of The Paris Review. Nathan hearkens back to his boyhood–a much simpler time of casual demon-summoning, Satanism, and the occult. This essay by our own Anne K. Yoder will satisfy any lingering desire for the four Humors.
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Pulitzer Playlist
Soundtracks make for excellent background music when writing a Pulitzer Prize-winning novel. Junot Díaz wrote his first book with the Conan the Barbarian soundtrack on loop, he said during an interview with The Daily Beast.
Florida’s Poet Laureate
David Axelrod makes the case for Florida to establish a four-year, renewable position as state poet laureate. With any luck, the program could begin by June 1. Florida has been absent a state poet since Edmund Skellings passed away in August, 2012
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The Magnificent
"In a concession to our unsubtle political age, the cliff is doing a good impression of Abraham Lincoln in profile with a vicious orange fulmination exploding from his head." Looks like Wells Tower had an interesting time in Hawaii.
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Fair enough, but are you saying their are writers out there who don’t read books? That’s pretty amazing. How good can these ‘soloists’ be? There’s not really that much in the way of truly original characters/plots etc in the world; whats interesting and original is typically a handful of so-so ideas combined in a very clever way. People who read alot of fiction might have more ‘soso’ ideas (borrowed) from which to pick.Then again, most of what we write is heavily influenced by our own lives. So the soloists could be just writing from their own life. Not exactly fiction.
Bottom line: I don’t think we should chastize those who ‘borrow’ ideas, as I think originality is kind of overrated. The point is not to be clever or cute, but to be good. The thing with writers who read alot of great books, they tend to absorb not only writing styles (what you might consider influencing styles) but other people’s ideas for plot/characters, subconsciously. Writers who read alot tend to be much better writers.
It’s amazing to me too, but I met a novelist at a literary festival once who claimed he never read books. I haven’t read his work yet, but he was shortlisted for the Giller prize (one of the top awards in Canada) so I’m assuming he must be good.