From Lev Grossman’s blog, “A Brief Taxonomy of Writers”: “As far as I can tell there are two kinds of fiction writers: those who read no fiction while they write, and those who constantly read fiction while they write. Let’s have cute names for them. We’ll call them Soloists and Thieves.”
Fiction Writers: Soloists or Thieves?
Tuesday New Release Day: Johnson; Ford; Millet; Hunter; Kadare; Jin; Rash; Self
Out this week: The Laughing Monsters by Denis Johnson; Let Me Be Frank With You by Richard Ford; Mermaids in Paradise by Lydia Millet; Ugly Girls by Lindsay Hunter; Twilight of the Eastern Gods by Ismail Kadare; A Map of Betrayal by Ha Jin; Something Rich and Strange by Ron Rash; and Shark by Will Self. For more on these and other new titles, check out our Great Second-half 2014 Book Preview.
The 250
You may not have known that Thomas Jefferson – author of the Declaration of Independence, U.S. President, founder of the University of Virginia – also found time to amass the largest contemporary collection of books in North America. For sixteen years, The Library of Congress has been trying to track down copies of the final 250 listed in Jefferson’s collection.
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Curiosities: The Life and Times of Fuzzy Dunlop
Dr. Seuss Went to War: A Catalog of Political Cartoons by Dr. SeussThe Philadelphia Inquirer profiles Joseph O’Neill (via).A primer from Bookride for using the web to check the values of old books. “The first thing to remember is that most books are of low value or no value. Some books are worth less than nothing.”The second issue of Wag’s Revue is out, featuring an interview with T.C. Boyle.For fans of The Wire, issue four of darkmatter Journal analyzes the series with essays like “The Politics of Brisket: Jews and The Wire” and “The Subversion of Heteronormative Assumptions in HBO’s The Wire“.The Rumpus gets listy with George Pelecanos’ favorite WesternsThe Second Pass follows up on our “Most Anticipated” list with a few more books to look forward to.
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T. S. Eliot: Proud Banker
Many aspiring writers wind up in publishing jobs or teaching posts. Some view the career choice as a happy union between their creative interests and their vocational qualifications. T. S. Eliot was not so. In an article for The Rumpus, Lisa Levy notes that the poet continued “to work at the bank even after his poems [became] successful,” and that the poet found the work “more conducive to writing poetry and criticism than taking a more literary job might be.”
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n+1 Podcast with Sam Lipsyte
You can stream n+1‘s podcast with Sam Lipsyte. It “chronicle[s] Lipsyte’s journey from his role as ‘Lead Screamer’ for the punk-rock band Dungbeetle to the publication of his third novel, The Ask.”
Fair enough, but are you saying their are writers out there who don’t read books? That’s pretty amazing. How good can these ‘soloists’ be? There’s not really that much in the way of truly original characters/plots etc in the world; whats interesting and original is typically a handful of so-so ideas combined in a very clever way. People who read alot of fiction might have more ‘soso’ ideas (borrowed) from which to pick.Then again, most of what we write is heavily influenced by our own lives. So the soloists could be just writing from their own life. Not exactly fiction.
Bottom line: I don’t think we should chastize those who ‘borrow’ ideas, as I think originality is kind of overrated. The point is not to be clever or cute, but to be good. The thing with writers who read alot of great books, they tend to absorb not only writing styles (what you might consider influencing styles) but other people’s ideas for plot/characters, subconsciously. Writers who read alot tend to be much better writers.
It’s amazing to me too, but I met a novelist at a literary festival once who claimed he never read books. I haven’t read his work yet, but he was shortlisted for the Giller prize (one of the top awards in Canada) so I’m assuming he must be good.