Tom Perotta, author of Little Children and The Leftovers, talks about how he learned to write about ordinary life from Thornton Wilder’s play, Our Town. “The tragedy is that, while we’re alive, we don’t view our days in the knowledge that all things must pass. We don’t—we can’t—value our lives, our loved ones, with the urgent knowledge that they’ll one day be gone forever.”
Maybe you’ve been enjoying Crapalachia (Excerpt) as much as everybody else these days – or perhaps you’re just a big fan of the Appalachians (and hopefully not MTV’s Buckwild). Either way, you should get a kick out of Scott Hubener’s The Space In-between project. The photography series “documents the landscape and residents along U.S. Route 23, between Asheville, North Carolina, and Johnson City, Tennessee.”
“How did a humble Canadian publisher—which got its start reprinting other companys’ books—become the name most associated with romance? It’s a long story, involving a peripatetic former fur trader and his opinionated socialite wife, a Procter-and-Gamble-trained Harvard MBA, some jilted Americans and a whole crowd of damned scribbling women.” From Pictorial comes the story of “How Harlequin Became the Most Famous Name in Romance.”
It’s fitting that Ray Bradbury credited his interest in architecture to an H.G. Wells story he read when he was five. At The Paris Review Daily, a previously unpublished essay by the author, who says his career in architecture started when he noticed there was no plaque at the residence of Sherlock Holmes. Related: Tanjil Rashid on Bradbury’s connection to the Middle East.