Adam Gopnik at the New Yorker comments on why we still write to win prizes (and hails Mario Vargas Llosa for having “a lively personal life that includes once punching out another future laureate…Gabriel García Márquez, reportedly over something to do with Mrs. Vargas Llosa. The Nobel thus not only crowns a career but provides the basis for a fine future Javier Bardem/Antonio Banderas movie.”)
Writing to Win
An Encounter with a Stranger
Over at Longreads, you can read the first chapter of Alexander Chee’s The Queen of the Night – one of the most anticipated books of 2016.
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The Book Prisons Fear
The New York Times dives into why prisons fear the New Jim Crow certain states have gone to great efforts to allow their prisons to ban it and in other states it’s fairly difficult to obtain if you’re a prisoner. We’re big fans of the New Jim Crow here; it was a Millions staff pick and extremely popular on Year in Reading lists back in 2013.
“Dying in Svalbard is hard—being buried is, in a way, much harder.”
For two weeks last summer, Colin Dickey sailed around the coast of Svalbard in the Arctic Circle. On one occasion, his voyage was stalled by heavy fog, and his group was obligated to anchor near Amsterdamøya. As one does, he used the occasion to ruminate about scurvy – or “polar night disease” – which claimed the lives of many sailors buried in the area’s graves.
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Sofia Coppola’s Little Mermaid
Sofia Coppola will direct a live adaptation of “The Little Mermaid.” No, not the Disney version, but the Hans Christian Andersen one. Expect something darker than singing crabs.
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“I refuse to cater to the bullshit of innocence.”
“I never started out as a children’s book artist. What is a children’s-book artist? A moron! Some ugly fat pip-squick of a person who can’t be bothered to grow up. That’s the way we’re treated in the adult world of publishing.” The Believer interviews the late Maurice Sendak, who passed away last May.
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On The Making of The Blues Brothers
“‘We had a budget in the movie for cocaine for night shoots,’ [Dan] Aykroyd says.”
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Selfies As High Art; Selfie As Word of the Year
Move over, “GIF.” (Or, more accurately: animate yourself away from us in an unending loop.) There’s a new Oxford Dictionaries word of the year. Enter, “selfie,” a word of Australian origin that describes an ostensibly new “digital affair, [that’s actually] a novel iteration of an old form: the self-portrait.” (They even come with overarching themes of mortality.)
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Emily Dickinson, Harvard-Bound
Seth Perlow examines how Harvard claims the rights to Emily Dickinson's poems, a body of work that was unpublished when she died, more than 130 years ago.
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