n+1 posts several amusing excerpts from their “What Was The Hipster?: A Sociological Investigation” piece to be released in full later this month: “Like ‘douchebag,’ ‘hipster’ was a name that no one could apply to oneself. But the opportunity to call someone else a ‘douchebag’: that offered the would-be hipster a means of self-identification by a name one could say, looking outward. In the douchebag, the hipster had found its Other.”
What Was the Hipster?
The Refugee’s Story with Dina Nayeri
"You have to learn to write fiction in order to learn how to tell the truth," says Dina Nayeri, author of The Ungrateful Refugee.
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Real Life Rosebud
Last month, we got the gossip from Orson Welles. This month, the dirt is about him. His first film, Too Much Johnson, was recently rediscovered in Italy.
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“QB or not QB”
Is Rick Reilly’s poem about Tim Tebow so terrible that it could’ve sent “a shockwave through time, producing reverberations before it ever happen[ed]?” Matt Ufford thinks so.
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The Great Debates
Christopher Beha just finished reading the complete works of Henry James and writes for The New Yorker about the experience while also touching on both “The Great Y.A.” and “The Great Goldfinch” debates.
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The Paper Trail
What writers are actually earning money? Over at Electric Literature, Lincoln Michel takes a look at the new Author Earnings report, which scours Amazon bestseller lists and extrapolates the data to make claims about the state of publishing and self-publishing. Here’s an older Millions piece by Edan Lepucki on self-publishing as supplemental and influential to the traditional route.
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