This previously unpublished David Foster Wallace story, likely an excerpt from the Pale King manuscript, circulated as samizdat a couple of years back, but its reappearance – this time on some guy’s tumblr page – is a good excuse to link to it.
Unpublished DFW
Save the Adverb (Heroically)!
“It reminded me once again that we desperately lack a full-throated defense of this runt of the grammatical litter. We need an outright celebration of adverbs, and it is that celebration that I offer—stridently, boisterously, unapologetically.” Colin Dickey at Slate passionately, unabashedly defends the adverb.
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On American Sonnets
Stephanie Burt writes about Terrance Hayes, Wanda Coleman's American Sonnets, confinement, and the mechanics of lyric poetry.
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Conversations & Connections, 2013
Are you a writer in the Philadelphia area? Are you looking for “a comfortable, congenial environment where you can meet other writers, editors and publishers?” If you answered yes to both of these questions, then this September’s Barrelhouse Conversations & Connections conference will be right up your alley. This year’s keynote speaker will be Familiar author J. Robert Lennon.
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Literary Rivalry
“‘I think she is better than J. L. Borges—who is good, but not all that good!” said poet Elizabeth Bishop of Brazilian writer Clarice Lispector. Bishop was one of Lispector’s first English translators, but also one of her fiercest critics. Alexandra Pechman writes for the Poetry Foundation about their literary rivalry and grudging respect. Pair with Magdalena Edwards’s Millions review of Lispector’s The Complete Stories.
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The James Salter Diet
James Salter’s women are “described over and over again as meals for the male protagonists to enjoy and then leave behind in various western European countries,” Lidia Jean Kott argues. Read Sonya Chung’s take in our review of All That Is.
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The Best of Young Brazil
“Tracing the journey of a mediocre actor and Holocaust survivor ‘touched by some mysterious higher design’ as he forges and impersonates his way through the war and then back to the city of his birth, the story is part Samuel Beckett and part Isaac Bashevis Singer, with a sudden final bolt of O. Henry. It has the flavour of a morality tale, but what’s most fascinating to me is how difficult it is to derive a moral from it, or rather how easy it is to derive more than one and how openly they stand in conflict with each other.” Kevin Brockmeier extols the fiction of Leandro Sarmatz.
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