At the Philadelphia Inquirer, neurologists look at cases where serious brain injury has actually brought about higher levels of creativity in artists, particularly where linguistic ability is harmed. “Language is the bully of the brain,” [one neurologist] says. “It takes up its own space and if something else gets crowded out, too bad.” (via Book Bench)
The Science of Language and Creativity
Jason Epstein on How Publishing Works
“Far more than any other medium, books contain civilizations, the ongoing conversation between present and past. Without this conversation we are lost. But books are also a business….” Jason Epstein explains how publishing works—and why, increasingly, it doesn’t, at the New York Review of Books. (via)
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Don’t Quit Your Day Job
Writer Manjula Martin has been a stock girl, used bookseller, seamstress, waitress, retailer, Girl Friday- just to name a few of her day jobs. She questions the value of the artist’s day job in her VQR post. “Why are writers so eager to leave work behind?” she writes.
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RIP Harry Crews
Dwight Garner, Maud Newton, and Jason Diamond are among the many to mourn the passing of Harry Crews this past week. “Few writers,” Garner writes of Crews, “could touch his authority and muscle.”
Parlez-Vous Français?
“Embrasser” means to hug and kiss in French, but the new literary journal of the same name is about embracing unique varieties of international French. Embrasser is a Louisiana-based literary translation journal that aims “to highlight and preserve varieties of French that have been marginalized,” founder Emily Thibodeaux said. The journal is accepting fiction poetry, nonfiction, and criticism submissions in English or Louisiana French for its first issue coming out during Mardi Gras 2014.
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Meet Miss Simone
Meet Eunice Waymon, who Nina Simone was before she became Nina Simone. John Lahr reviews What Happened, Miss Simone? by Alan Light. Pair with Bill Morris’s piece on the Hollywood biopic.
There’s always funny in the banana stand.
Rolling Stone asked David Cross about Arrested Development‘s Netflix relaunch and he says it’s “audacious and amazing.“
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