Alexander Chee posts the list of texts he used to teach his seminar on the graphic novel at Amherst – the graphic novel “warhorses,” as he calls them – and explains why they are the essential books for those interested in getting to know the form. (via The Rumpus)
The Graphic Novel Warhorses
Jane at 40
The Austen Project, launched last year, asks prominent contemporary writers to reimagine Jane Austen’s classics in modern times. (Thus far, we’ve seen Joanna Trollope’s Sense and Sensibility and Val McDermid’s Northanger Abbey.) In perhaps the most significant adaptation yet, Curtis Sittenfeld has announced that her Pride and Prejudice will feature a 39-year-old Jane Bennet. After all, Jane (23 in the original novel), is “pretty much teetering on the edge of spinsterhood.”
A Pretentious Palette
It seems that one paint company has made literal The Paris Review’s literary paint chips. Pantone claims the new color schemes are drawn from the living quarters of authors such as Flaubert, Chandler, and Henry James.
Envying Men
What’s the one thing that Rivka Galchen envies about men? Well, “the envious thought was simply that a man can have a baby that his romantic partner doesn’t know about. This is a crazy thought, of course, but I find myself feeling it with such sincerity that I cannot see its edges.”
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Vera, or Verdure
Over the course of a half-century, Vladimir Nabokov wrote hundreds of letters to his wife Vera, which are being published in book form this week for the first time. Among other things, they reveal the absurd pet names he invented for her (such as Goosykins and Monkeykins) and display Nabokov musing over whether or not to borrow a friend’s castle for the summer. Also worth reading: our own Garth Risk Hallberg on Nabokov’s Ada, or Ardor.
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