“I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa.” Alexander McCall Smith on the dangers of overwriting.
“When, like Alice Munro, you feel your way forward, sniffing and digging and groping toward a truth virtually beyond words, it takes a long time. And the structures, organic to that process, are as miraculous and indicative and expressive of that truth—one of the deeper truths of human life—that fiction is all about.” Elizabeth Poliner explains how mapping Alice Munro’s stories made her a better writer. Never read Munro? Check out our beginner’s guide to her stories.
Nineteen intrepid RapGenius users set out to break down the “cultural clusterf*ck and middle finger to the stripped-down simplicity of the Imagists” otherwise known as T. S. Eliot’s poem “The Wasteland.”