“I am not at all sure—convinced, certain, persuaded—that creative-writing courses are a good idea unless they prevent people from writing sentences like this one, where adjectives—useful, helpful, intensely descriptive words—are stacked upon one another as Pelion used to be piled upon Ossa.” Alexander McCall Smith on the dangers of overwriting.
The Economist’s nifty, new(?) culture mag More Intelligent Life is putting together guides to the best critics, including those who cover books; film; dance, art, and classical music, and rock music. Scott has performed a similar exercise for book reviewers, as well.Polite magazine: “Where Are They Now? A visit with Encyclopedia Brown“The estimable New York Sun books section follows our lead in adding a review archive.Nextbook asks: Where have all Bernard Malamud’s readers gone?Vroman’s, a legendary Southern California independent bookstore and the employer of Millions contributor Patrick, has been named Bookseller of the Year by PW.Richard Russo:”My fictional Eliot [Spitzer] would be complex, would contain paradoxes. He would not be a hypocrite. My Eliot would believe with his whole heart in his crusades against the corrupt and the powerful and the privileged, even as he worked studiously to undermine his legacy. Fiction can accommodate such paradoxes, provided they’re explained.”An open letter to Steve Jobs pleading for Apple to create an iPod optimized for “a best-of-breed reading experience.” (via)One of our most anticipated books, Jonathan Littell’s novel Les Bienveillantes won’t be out in English for a while yet, but a new translation into German offers an opportunity for another review to trickle out.There are 1,000 Places to See Before You Die and 1,001 Books You Must Read Before You Die, but forget all that and “Read this column before you die.”
Melissa Hillman, the artistic director at Berkeley’s Impact Theatre, explains “A Common Problem [She Sees] In Plays By Women Playwrights. (It’s Not What You Think.)”
“I’ve come to understand that I’ll rarely experience that first rush of discovery again, and perhaps that’s the problem with re-reading. It reminds us both of where we’ve been and where we can’t go again.” Sarah Seltzer wonders why do we reread books as children but not as adults? Pair with Lisa Levy‘s essay on “The Pleasures and Perils of Rereading.”
Out this week: Perfect Little World by Kevin Wilson; Dark at the Crossing by Eliot Ackerman; Days Without End by Sebastian Barry; Mexico by Josh Barkan; The Signal Flame by Andrew Krivak; and Number 11 by Jonathan Coe. For more on these and other new titles, go read our most recent book preview.
The longlist for this year’s Best Translated Book Award came out. Fiction finalists include Year in Reading alumna Katrina Dodson’s translation of Clarice Lispector’s Complete Stories (reviewed here by Magdalena Edwards), Ann Goldstein’s translation of Elena Ferrante’s The Story of the Lost Child, Lisa Dillman’s translation of Yuri Herrera’s Signs Preceding the End of the World (discussed here in our Book Report), and Christina MacSweeney’s translation of Valeria Luiselli’s The Story of My Teeth (reviewed here by Lily Meyer). Poetry finalists include Jason Weiss’s translation of Silvina Ocampo and Fiona Sze-Lorrain’s translation of Yi Lu.