A scholar studying Jane Austen’s original manuscripts finds “we have simply overestimated her as a perfect English stylist at the expense of how experimental she was.”
Reconsidering Jane
Missing Letters
Nick Stockton wonders why writers are such bad proofreaders of their own work. He argues that it is hard to catch typos because our brains arrive at meaning faster by taking shortcuts. Also enjoy this skit of Strunk & White in conversation with the grammar police.
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Reading for Days
Looking for something to read this weekend? Conor Friedersdorf has just released his list of “102 Spectacular Nonfiction Stories from 2012.” That should keep you occupied for a while.
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The Shame King
A couple weeks ago, our own Janet Potter reviewed Jon Ronson’s So You’ve Been Publicly Shamed, a new book which examines the rise of public shaming on social media. In the Times, Ronson takes part in the paper’s By the Book series, several entries of which we’ve written about before. Among other things, he recommends The Girl on the Train by Paula Hawkins and Violence by James Gilligan.
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There’s Blog in my Magazine. No, There’s Magazine in my Blog.
Which are you currently reading: a magazine that looks like a blog, or a blog that looks like a magazine? It’s getting harder and harder to tell, says Slate‘s Farhad Manjoo.
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Tuesday New Release Day
Just in time for today’s Booker announcement, a pair of shortlisters are now (or will be tomorrow) available stateside: In a Strange Room by Damon Galgut and The Finkler Question by Howard Jacobson. Ian Frazier’s big travelogue (generously excerpted in the New Yorker) Travels in Siberia is out, as is Adam Levin’s massive The Instructions from McSweeney’s. Three more: Djibouti by Elmore Leonard, How to Read the Air by Dinaw Mengestu, and a gorgeous Library of America edition of “six novels in woodcuts” by pioneering graphic novelist Lynd Ward.
“No real diminishment was possible.”
Clive James gives Pauline Kael a serious critical appreciation in The Atlantic. Last year, The Millions also showed Kael some love, in this review of The Age of Movies.
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