At the Paris Review Daily, Nick Antosca reminisces on reading Lolita at 12: “Who among my seventh-grade classmates, I wondered with a frisson, was such a creature? What girl had that ‘soul-shattering, insidious charm’ that, while invisible to me, made the antennae of certain adult males tremble?”
“In its clumsy, ad hoc way, Facebook has brought death back into the public sphere in a way death hasn’t been for more than 100 years.” To celebrate Facebook’s 10th birthday, The Missouri Review has unlocked its Alexander Landfair essay on how we deal with death on Facebook. For another look at Facebook, read our essay on how the timeline changes the way we tell stories.
Owing to a successful Facebook campaign and some outcries from the Press’s authors, University of Missouri administrators have decided to reinstate the University of Missouri Press—which was recently shuttered—and “rehire” its editor in chief, Clair Wilcox. The goal now, according to the university system’s president, is to “reinvent [the press] in a more cost-effective technological model.”
All of us have particular words that we use a little too often. Writers tend to be embarrassed about their predilections for certain turns of phrase. At Slate, Matthew J.X. Malady reacts to the news that he uses iteration too much, and delves into the ways our verbal habits spread to others.
Over at Electric Literature, John Freeman profiles Year in Reading alumnus Ben Lerner, newly minted MacArthur genius and author of two novels in which “the political opens a path for the personal, just as the personal urges him to engage the political.” Freeman writes, “This blending—of perception and politics—comes right out of how Lerner sees the world in real life.” Pair with Christopher Wood’s Millions review of Lerner’s 10:04.
Over at Bookslut, Brian Nicholson follows up our recent piece on Silvina Ocampo’s Thus Were Their Faces with his own review of the book, writing that “She does not need to invent books of infinite pages, for the world of what we know already contains things as strange as mirrors.” The review draws a comparison between her work and that of Borges, her close friend.