“Pop Quiz: Which word is funnier, observe or stalk?” Scott Adams, creator of “Dilbert,” gives some tips on how to write like a cartoonist.
How to Write Like a Cartoonist
Freedom Looms
Franzen fans: Freedom, the long-awaited follow-up to The Corrections is now available for pre-order. The specs: 576 pages, August 31st 2010. “Freedom comically and tragically captures the temptations and burdens of liberty: the thrills of teenage lust, the shaken compromises of middle age, the wages of suburban sprawl, the heavy weight of empire. In charting the mistakes and joys of Freedom’s intensely realized characters as they struggle to learn how to live in an ever more confusing world, Franzen has produced an indelible and deeply moving portrait of our time.”
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A Beginner’s Guide to Drugs For Girls
Tasteless and horrifying–nay, even a sign of the apocalypse–or rather excellent advice for college-bound young ladies? You decide: Vice Magazine‘s “A Beginner’s Guide to Drugs For Girls.” (A taste: “Here are some pointers for the beginners out there so you can get high without becoming that girl slumped in the corner of the night bus with vomit all over your shoes and lockjaw so bad your teeth have all snapped in half.”)
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Battle of Editors
When a novel is printed in multiple countries, it often has more than one editor. Slate interviews Emma Donoghue; her American editor, Judy Clain; and her Canadian editor, Iris Tupholme, about how they all edited Frog Music. They discuss everything from how to deal with editing disputes to the best way to get edits. “I much prefer to get everyone’s opinions separately, because if I got a single editorial letter, it would be like getting a note from God!” Donoghue says. For more on the editing process, read about our own Edan Lepucki’s relationships with her copy editor and editor.
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I’ll take “Maps” for a thousand, Alex.
“Jeopardy!” champion Ken Jennings charts “the wide, weird world of geography” in his latest book Maphead. NPR investigates his process in a “Fresh Air” interview. Scribner Books provides a small sample as well. While discussing the particulars of America’s “Road Geeks,” Jennings makes it clear to this listener that he’d probably be interested in Cynthia Enloe and Joni Seager’s The Real State of America Atlas, which was reviewed by our own Bill Morris last July.
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“No real diminishment was possible.”
Clive James gives Pauline Kael a serious critical appreciation in The Atlantic. Last year, The Millions also showed Kael some love, in this review of The Age of Movies.
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VQR Debuts Redesigned Website, Lifts Paywall
The Virginia Quarterly Review launched their redesigned website this week, and it’s a sight to behold. To celebrate the occasion, the magazine has dropped its paywall through Valentine’s Day, so start exploring. I recommend starting with Kevin Young’s recent poem, “There Is a Light That Never Goes Out,” which he composed entirely out of song lyrics.
No Whining Allowed
Elissa Schappell thinks writers need to stop whining. “Writers seem to think that by virtue of intellect or sensitivity that we suffer more than others, that the work we do is more necessary than other work. This idea is not only ridiculous, it’s shameful,” she wrote after 2paragraphs asked her “What Do You Like Least About Being A Writer?” Pair with: our interview with her earlier this year.
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The litigation is never dead. It’s not even past.
Last Thursday, Faulkner Literary Rights, the company controlling William Faulkner’s works, proved two things by suing Sony Pictures Classics: 1) that they finally got around to seeing Midnight In Paris (2011); and 2) that they’re not down with Woody Allen’s decision to include two of the Nobel Prize-winning author’s lines in Owen Wilson’s dialogue.
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