Google is adapting its translation technology to accomodate the nuances of poetry. Guardian asks, how will it handle “The Jabberwocky”?
A lot of writers have alter-egos, but few are as interesting as Benjamin Black, the crime-writing persona of Irish novelist and Year in Reading alum John Banville. The author’s new novel adds an entry to the saga of a crime-fiction icon: Raymond Chandler’s Angeleno detective, Philip Marlowe.
“At the train station in Cerbère, France, M. and I have survived the grueling hike on the Sentier de la Liberté Walter Benjamin.” For Catapult, Gwen Strauss writes about climbing the path that Benjamin used to flee the Gestapo, only to take his own life at its terminus. See also: Kyle Chayka‘s recommendation of The Work of Art in the Age of Mechanical Reproduction in our own pages just last week.
“The myth of the full-time writer is a perniciously sticky one—and it doesn’t help that once in a blue moon a J.K. Rowling does come along, thereby entrenching the cultural delusion that being a full-time writer is a thing that could realistically happen. But the truth is that being a full-time writer is basically just the literary equivalent of a career in the NBA.” Liz Entman Harper talks with seven writers about the struggle to balance writing with a day job, and those interviews pair well with our own Emily St. John Mandel‘s look at “Working the Double Shift.”