Emily Gould awkwardly prepares a salad with Tao Lin in the latest installment of Cooking the Books. (via The Awl)
Emily Gould and Tao Lin Make a Salad
The New Genre
Is Twitter an official literary genre? David Mitchell, Philip Pullman, Margaret Atwood, and others take on the 140-character interface as a storytelling platform. Pair with our piece on the best of literary Twitter.
Indigenous Peoples Day
Many people, cities, and states recognized Indigenous Peoples Day instead of Columbus Day on Monday. The New Inquiry takes a look at indigenous history in America. Pair with our review of Laila Lalami’s The Moor’s Account, which “underscores the notion that history often dismisses crucial voices.”
Digital Death
“In its clumsy, ad hoc way, Facebook has brought death back into the public sphere in a way death hasn’t been for more than 100 years.” To celebrate Facebook’s 10th birthday, The Missouri Review has unlocked its Alexander Landfair essay on how we deal with death on Facebook. For another look at Facebook, read our essay on how the timeline changes the way we tell stories.
An Oral History of Oral Histories
Last week, I called 2011 “the year of television’s oral history” because of the bevy of recently published oral history books. As it turns out, the explosion is part of a trend, as Michaelangelo Matos notes in this piece for The Daily.
Now nothing beneath the bad smelling sky
The Lorax has been stolen from the Dr. Suess memorial sculpture garden.
Appearing Elsewhere
The spiffy new Los Angeles Review of Books website has posted my review of Ben Fountain’s new novel, Billy Lynn’s Long Halftime Walk.
“Then did he see, at long last, that The Google did load.”
H. Jon Benjamin (of Bob’s Burgers notoriety) loaned his voice-over talents to Vulture and McSweeney’s for this 8-bit adaptation of Mike Lacher’s classic piece, “In Which I Fix My Girlfriend’s Grandparents’ WiFi and Am Hailed As a Conquering Hero.”