Emily Gould awkwardly prepares a salad with Tao Lin in the latest installment of Cooking the Books. (via The Awl)
Emily Gould and Tao Lin Make a Salad
Alias Atwood
Following on the success of Hulu’s adaptation of The Handmaid’s Tale, Netflix teases a first trailer for its take on Alias Grace. Read our review of the former here.
The Bad Luck Club
By the age of twenty-one, Eugene O’Neill had dropped out of Princeton, fathered a child and caught syphilis on a trip through South America. He was, in his own words, “the Irish luck kid,” blessed in a strange way with misfortune. Yet he went on to win a Pulitzer eleven years later. How did he do it? In the LRB, John Lahr reads a new biography of the playwright.
Royal Books Returned
A container filled with some 1,200 books–Royal books of the Joseon Kingdom (1392-1910)–was returned to Korea from Japan, today, marking the completion of a mission that kicked off in 2006 to retrieve cultural heritages looted during colonial rule.
Live Long
When your father shows you The Wrath of Khan at a young age, you develop an appreciation for the late Leonard Nimoy, whose death scene as Spock in that film is among his most famous performances. For Jen Girdish, that appreciation led to this essay, which reflects on Nimoy, her father’s own death and the onetime ubiquity of VHS tapes.
Hiding Behind the Powerful
For Guernica, Tana Wojcznick explores the belief in populism in Shakespeare’s often-misread play Coriolanus. She writes, “Coriolanus criticizes the people he claims to want to represent not simply because they are a mob, but because as a single body they are too easily swayed in their opinion, too easily flattered.” Pair with this Millions essay on rewriting Shakespeare.
Meditations on Meditations in Green
Recommended Reading: Nathaniel Rich discusses Stephen Wright’s Meditations in Green, which he says is remarkable because “it convinces you that the war never ended.” Indeed, Rich writes, the author’s debut novel “suggests that Vietnam at some point transcended the Indochina peninsula and became a mental condition, a state of being not unlike certain forms of insanity, that has become encrypted in our genetic code.”
Hard to Categorize
The Naipaul Question, as Morgan Meis calls it, is simple: is V.S. Naipaul too offensive to be taken seriously? His recent biography includes scenes of abuse and moments of straightforward racism. But Meis thinks the issue is more complicated than whether Naipaul is a monster — the author is, in his phrasing, too “protean” to be pinned down.