Courtney Traub talks with Kevin Begos, Jr, publisher of Agrippa, a Book of the Dead, a 1992 book that contains an encrypted poem by William Gibson set to self-erase after a single reading. Begos explains his intentions when creating the book, and Traub recounts the difficulties Oxford recently had when deciding how to archive a work that deliberately resists preservation. Gibson’s newest book, Distrust That Particular Flavor, made our list of the most anticipated releases of 2012. Also don’t forget to read our review of Gibson’s 2010 novel, Zero History.
Mixer Publishing wants more of your sex, violence, and satire. They’ve just extended their contest deadline–for fiction, poetry, and graphic stories–to the end of the month, which gives you a few more weeks to conjure and submit satirical lust and gore for a chance to win their $1,000 prize.
As e-books gain market share, publishers are gussying up book designs. Free Press vice president and publisher Martha K. Levin says, “the message [is] that even if you’re buying 90 percent of your books on your e-reader, this is the one that you want to have on your bookshelf.” The article highlights 1Q84 as an example of a successfully well-designed physical object, but if you haven’t seen a copy, check out Chip Kidd’s discussion of his work on the book.
The Hunger Games raked in $155 million in its opening weekend. That makes it the highest-grossing non-sequel debut of all time. Over at Salon, Laura Miller tracks the steps that led to the blockbuster’s mammoth success.
The Public Domain Review takes a look at the “Class of 2013,” a k a their “top pick of artists and writers whose works will, on 1st January 2013, be entering the public domain.” Among the names highlighted is Robert Musil, whose novel The Man Without Qualities was reviewed on our site by Matthew Gallaway.