Today begins the Flatmancrooked LAUNCH of The Millions staff writer Edan Lepucki and her novella, If You’re Not Yet Like Me. Go here to pre-order a copy of the signed and numbered limited first edition.
“Why do we love our writing teachers so much? I think it’s because they come along when we need them most, when we are young and vulnerable and are tentatively approaching this craft that our culture doesn’t have much respect for, but which we are beginning to love. They have so much power. They could mock us, disregard us, use us to prop themselves up. But our teachers, if they are good, instead do something almost holy, which we never forget: they take us seriously.” George Saunders offers a timeline of his writing education over at The New Yorker.
When somebody you’re talking to brings up a writer — say Richard Russo — that you haven’t read, but should have, you probably say you haven’t read them because you “just don’t where to start.” Unfortunately, the folks at Book Riot just published a book, Start Here, that might blow up your excuse.
“Everyone says Anna Karenina is about individual desire going against society, but I actually think the opposite is stronger: the way societal forces limit the expression of the individual.” Here is Mary Gaitskill on Anna Karenina for The Atlantic’s By Heart series, in which writers reflect on some of their favorite passages in all of literature. We’ve brought you a bit on By Heart here, here, and here.
We’ve written before about various rare recordings of authors reading that occasionally surface on the internet (a sample here) but today we add a new author: James Joyce. Open Culture has posted two recordings of the author reading from Ulysses and Finnegans Wake, and while the audio quality is exactly what you would expect for recordings made in the 1920s, we still recommend listening.