The New York Times reviews William Gibson’s new novel Zero History: “To read Gibson is to read the present as if it were the future…” Also: Douglas Gorney interviews Gibson for the Atlantic.
William Gibson’s Zero History
We Asked For It
Sinclair Lewis tried to warn us and we didn’t listen–it can always happen here. Over at The Literary Hub, this piece takes a look at Lewis’s 1935 political novel It Can’t Happen Here as a mirror for Donald Trump’s unlikely rise to political superstardom.
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The Myth of Farmer
In an essay for The Morning News, Matt Evans takes a look at “how an unfinished autobiography and a 1980s biopic turned Frances Farmer, one of cinema’s most radiant stars, into a lobotomized zombie.”
Rebecca Returns
Last night I dreamt they made a film about Manderley again.
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Change
The New York Review of Books excerpts recent Nobel winner Mo Yan’s part fiction, part memoir Change.
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Finding God by the Creek
“The striking thing about her search for God is that she sometimes finds him. Pilgrim at Tinker Creek’s second chapter, after a kind of introduction, is titled ‘Seeing.’ There are two kinds, she explains. The common variety is active, where you strain, against the running babble of internal monologue, to pay attention to what’s actually in front of you. But, she tells us, ‘there is another kind of seeing that involves a letting go.’ You do not seek, you wait. It isn’t prayer; it is grace. The visions come to you, and they come from out of the blue.” On Annie Dillard’s turn to silence.
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Searching for the Female Huck Finn
Where’s the female counterpart to Ishmael or Sal Paradise, Vanessa Veselka asks. “When a man steps onto the road, his journey begins. When a woman steps onto that same road, hers ends.”
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He’s the Ragtime King / There is None Higher…
Ta-Nehisi Coates calls Doctorow sire (in his post E.L. Doctorow – Badass M.C.) Back in grad school, we just called him “The Funk Doc.”
What Do Celebs Read?
Books from their own imprint we hope. “In the last decade, in fact, the celebrity imprint has become something of a cottage industry, an endeavor mutually beneficial to publishing houses in pursuit of stars and their lucrative fanbases and celebrities looking for another feather in their cap.” Some of the celebrities on this list might surprise you, read on to learn about which ones have a publishing imprint.
It bothers me that reviewers never write about the increasing elegance of Gibson’s writing.