Laura Miller at Salon reports on the ongoing problems with Google Books’ plan to “digitally scan every book in the world.”
The Trouble with Google Books
An Intergalactic Reading List
Dreaming of escaping to outer space during this time? Christopher Wanjek lists some of the best books that imagine a future on other planets.
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Scrivening a New Scrivener
“The last thing your creative brain needs is a klaxon shouting WRONG while you’re in the middle of a creative thought. Eventually, as you use Neo, you’ll stop thinking about spelling and typos. This will push your creativity to the next level. You can always step through a spell check any time you like. But not while you’re writing.” Hugh Howey, author of the Wool series, proposes a new word processor called Neo.“I’m currently talking with programmers and consultants on how to get this done,” he writes on his blog, describing the application’s potential features. “Might be a decade before anything comes to light, so don’t hold your breath. But I’m willing to invest the time and money to make this a reality.” Pair with programmer Philip Hopkins‘s meditation on code and writing.
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Mantel’s Bring Up the Bodies Coming in May
Big news for fans of Hilary Mantel and her Booker-winning (and Millions Hall of Famer) Wolf Hall. The U.S. release date for the much anticipated Wolf Hall sequel Bring Up the Bodies has been moved up from the fall to May 22nd to coincide with the U.K. release date.
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Royal Books Returned
A container filled with some 1,200 books–Royal books of the Joseon Kingdom (1392-1910)–was returned to Korea from Japan, today, marking the completion of a mission that kicked off in 2006 to retrieve cultural heritages looted during colonial rule.
The Millions, Interviewed
The Millions Editor Max is interviewed at the National Book Critics Circle today. Among the topics discussed, “the motivation for launching The Millions seven years ago” and what we look for in book reviews.
A Community of Introverts
“What I want to know is, since when does making art require participation in any community, beyond the intense participation that the art itself is undertaking? Since when am I not contributing to the community if all I want to do is make the art itself?” Meghan Tifft gives voice to the struggle of the introverted writer in an essay for The Atlantic.
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