The fictional museum described by Orhan Pamuk in his novel The Museum of Innocence has been made into a real museum in Istanbul: “…the line between fiction and reality is both highlighted and blurred.” (via Book Bench)
The Museum That Was Written Down
Pitchfork and The Dissolve
Pitchfork Media announced last week that it will begin supplemented its popular music website with a new project dedicated to “reviews, commentary, interviews, and news about the films of the moment.”
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Rough Trade
Considering his first novel was a chronicle of gang life in the Bronx, it makes sense that the new book by Richard Price is a tale of the NYPD. In the latest issue of The New Yorker, Joyce Carol Oates reads the novel, remarking that it “retains a residue of Price’s absorption with his rough urban settings and with the phenomenon of a particular sort of masculinity.” Related: our own Garth Risk Hallberg on Price and his crime fiction contemporaries.
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What Makes the Pages Turn?
Recommended Reading: Do we read books for the plot or the characters?
You Can’t Go Home Again (If You Understand What This Means)
The 113th anniversary of Thomas Wolfe’s birthday was last Thursday, but the author lives on in America’s cultural memory thanks to the title of his 1940 novel, You Can’t Go Home Again. Unfortunately, the titular phrase seems to be taken at face value by many people these days, and that can lead to some groan-worthy invocations. A newly-minted Tumblr blog illustrates the point.
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“Train time is found time.”
After earning herself a “test run” writer’s residency aboard an Amtrak train, Jessica Gross reflects on the virtues and benefits of writing by railcar. Meanwhile, Alexander Chee announces he’ll be writing on the rails from New York City to Portland this Spring. You can read some more information about the program over here.
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Zombified
Recommended Reading: Michael Christie on Aleksandar Hemon’s The Making of Zombie Wars. You could also read Hemon’s Year in Reading entry.
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