The fictional museum described by Orhan Pamuk in his novel The Museum of Innocence has been made into a real museum in Istanbul: “…the line between fiction and reality is both highlighted and blurred.” (via Book Bench)
Harper Lee’s estate will no longer allow publication of the mass-market paperback edition of To Kill a Mockingbird, which was popular with schools. Over at The New Republic, Alex Shephard writes that “Without a mass-market option, schools will likely be forced to pay higher prices for bulk orders of the trade paperback edition—and given the perilous state of many school budgets, that could very easily lead to it being assigned in fewer schools.” For more about the author’s legacy, read Robert Rea’s Millions essay on his travels to her home.
If his new novel Against the Country is any indication, Ben Metcalf gets his best inspiration from the worst of rural America. In the book, which features a panoply of awful crimes and obscenities, Metcalf rides roughshod over the notion of the rural idyll. In Bookforum, onetime Millions staffer Emily Colette Wilkinson reviews the novel, calling it “a gut-busting knee slapper” in spite of its glut of macabre scenes.
“Some people see things others cannot, and they are right, and we call them creative geniuses. Some people see things others cannot, and they are wrong, and we call them mentally ill.” The Atlantic has an excellent contribution to the age-old thesis that creativity and madness are inextricably linked–and tied, moreover, to mental illness–based in part on a sample of students at Iowa Writer’s Workshop. Pair with another essay on creativity and the “touch of madness” from our own archives.