For those of you who ask, like Jacob Lambert, whether picture books are leading our children astray, the Independent posts ten of the bloodiest bedtime stories.
Ten Bloodiest Bedtime Stories
Typewriter Art
Luddites rejoice! If you still use a manual typewriter, you already know that they’re superior to laptops for writing. Now comes proof that they’re also better at making art than text-based computer art programs like ASCII and its “colored cousin,” ANSI. The video’s narrator tells us, in German, that many of the subjects autographed their typewriter-generated portraits, and the Pope sent a thank you note — and cash!
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How ethical are cocoa puffs?
There’s a new Ethicist in town. Chuck Klosterman is taking over the NYT advice column, and I’m thinking, gee, I wonder what the author of Sex, Drugs, and Cocoa Puffs knows about ethics. His first column seems pretty legit, but I can’t wait for him to introduce time-travel [pdf] and other hypotheticals.
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Saunders on Humor
“Guilt and a feeling of never being satisfied with what you’ve done. And a sense that you are inadequate and a big phony. All useful for a writer. I’m always being edited by my inner nun.” An interview with the inimitable George Saunders, author of Tenth of December, on his approach to humor. Pair with: our own reviews of his stories.
Masthead Revisited
“This is a story about a woman who was erased from her job as the editor of the most famous literary magazine in America.” For Longreads, A.N. Devers writes about Brigid Hughes, the second editor of The Paris Review, who has been all but scrubbed from the magazine’s history. See also: Dever’s 2011 Year in Reading entry.
From Terror to Terrific
“Crossover words are a tremendous testament to our awesome ability to shape the language as we use it. To master our fears. To take our terror and use it to build something terrific.” – Arika Okrent writes for The Week about irony, slang and the way language changes.
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