Steve Almond at The Rumpus provides a “meditation on editors, ambition, and angry dependence” in reaction to the media’s coverage of the suicide of Kevin Morrissey, managing editor of The Virginia Quarterly Review.
This week, the Ransom Center at UT-Austin opened up its archives of the works of J.M. Coetzee. Because the Nobel Prize winner is an alumnus, he says it’s “a privilege to have graduated from being a teaching assistant at The University of Texas to being one of the authors whose papers are conserved here.” (Fun fact: his starting salary was $2,300 a year.)
James Baldwin was more famous for being an essayist and novelist, but he was also a film critic. At The Atlantic, Noah Berlatsky argues that Baldwin should be considered one of the best film critics for The Devil Finds Work. “Baldwin shows that criticism is art, which means that it doesn’t need a purpose or a rationale other than truth, or beauty, or keeping faith, or doing whatever it is we think art is trying to do.” For more on Baldwin, read our essay on his epiphanies.
“He represents a failure of empiricism — an unreliability arising not from the absence of rationality, but from the stubborn complexity of perception. This, I would argue, is precisely how the 2016 election went down.” In an article for The Los Angeles Review of Books, Aaron R. Hanlon argues that Cervantes’ classic provides the perfect framework for understanding contemporary America, concluding that “Don Quixote is such a player in US politics that he might as well run for office.” Our own C. Max Magee read Quixote not long after founding the site, deeming it “essential to all who wish to understand ‘the novel’ as a literary form.”
Over at The Point, Spencer McAvoy writes about the language and vision of Joy Williams, a writer who “instead of drawing boundaries between us and whatever Other, posits language as an experience of self-limitedness.” Williams’s new collection of short stories, The Visiting Privilege, is one of the most anticipated books of 2015.