A newly released Roald Dahl collection, The Missing Golden Ticket and Other Splendiferous Secrets, includes a secret ending to Charlie and the Chocolate Factory and excerpts from the author’s hilariously bad report cards. Wrote one teacher about Dahl in 1931: “A persistent muddler. Vocabulary negligible, sentences malconstructed. He reminds me of a camel.” (via Galley Cat)
Hot on the heels of The New Yorker, The Paris Review is excerpting Calvino’s letters. In Monday’s entry, POSTERITY IS STUPID, the author writes the following: “Although I am small, ugly and dirty, I am highly ambitious and at the slightest flattery I immediately start to strut like a turkey.”
It is well known that Vladimir Nabokov and Edmund Wilson had one of the more visible falling outs in literary history over the former’s English-language Eugene Onegin translation, and indeed the history of that relationship’s souring is fascinating. But even still, it’s extremely interesting to read Nabokov’s nine-page “Reply” to Wilson’s “adverse criticism.” If nothing else, one has to wonder what Wilson was thinking when he brought a knife to a gun fight.
As you probably read last week, Elon Musk (founder and CEO of Tesla Motors and SpaceX) is sure that we’re living in a computer-generated simulation. Over at The New Yorker, Joshua Rothman takes a hard look and tries to determine the actual odds of humans inhabiting a simulated world.
Alas, the Tournament of Books is over for my bracket as it was revealed that the “Zombie Round” brought Against the Day and Absurdistan back into the competition. With my finalists now officially out of the competition my bracket is dead, and it looks like I’ll finish in the middle of the pack. Meanwhile, fresh off the Oprah selection shocker (more on that in my next post), I’m think The Road is a lock to win this thing.Book Chronicle has organized an award for litblogs. In my post about book blogs being snubbed by the major blog awards, I argued that book blogs didn’t need to recognized in this way to legitimize them. Still, I do appreciate Book Chronicle nominating The Millions for their award.Harry Potter obsessives can now have a look at the cover for the final book in the series.The Paris Review has given its $10,000 Plimpton Prize for Fiction to Benjamin Percy, for his story “Refresh, Refresh,” which is excerpted on magazine’s Web site.Tom Bissell reviews Jonathan Safran Foer’s Extremely Loud and Incredibly Close at Wet Asphalt.
“Emily Brontë teaches us that fiction is not defined by what an author has done, but what an author has felt. To write is often to observe, not necessarily to experience. It is possible to be strong, independent, and still be at home; there is nothing limiting or weak about the ‘domestic’ life. Daily life is not to be avoided—in fact, it can be our most fruitful source of truth.” These and other helpful life lessons from the Brontë sisters over at The Daily Beast. How did the sisters even get their start as writers, anyway?