A newly released Roald Dahl collection, The Missing Golden Ticket and Other Splendiferous Secrets, includes a secret ending to Charlie and the Chocolate Factory and excerpts from the author’s hilariously bad report cards. Wrote one teacher about Dahl in 1931: “A persistent muddler. Vocabulary negligible, sentences malconstructed. He reminds me of a camel.” (via Galley Cat)
Roald Dahl and the Hilariously Bad Grades
Otherworldly
No one knows quite how to categorize Max Blecher’s Adventures in Immediate Unreality, in part because it has elements of a novel, a memoir and a long poem. The early 20th century Romanian writer chronicled his own slow death and the effect it had on his senses. At The Paris Review Daily, Andrei Codrescu writes about a reissue of the book.
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Blogs Worth Reading
Largehearted Boy has put out an updated installment of his “Blogs to Read.” This year, he modified his approach to include collectively authored sites, “to better include the collaborative websites I read every day.” The Millions is included as are a number of other excellent sites.
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Out of Copyright, Into Chaos
Eric Bulson remarks on the expiration of the European copyright in James Joyce’s oeuvre. The “vast sea of Joyceana,” Bulson writes, “will … have the effect of flooding the market, making it even more difficult for readers to decide which edition to buy.” Meanwhile in Japan, writes Dustin Kurtz, “an expansive and anticipated group” of writers will have their work enter the public domain this year.
A Portrait of the Musician as a Young Man
James Joyce inspires a lot of English papers but not songs. Yet musician Casey Black based his song “Happiness” off of A Portrait of the Artist as a Young Man. With lyrics like, “So I walk the Dublin streets like they were passageways through my soul,” we think Joyce would approve.
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Intrinsic Flaws
Ever since Paul Thomas Anderson announced his intention to film Inherent Vice, there’s been a lot of hand-wringing over whether it’s even possible to adapt a Thomas Pynchon book for the screen. Now that it’s out, Geoffrey O’Brien investigates how faithful the movie is to the book, and whether or not that’s a good thing. Related: our own Garth Risk Hallberg’s review of the book when it came out.