A newly released Roald Dahl collection, The Missing Golden Ticket and Other Splendiferous Secrets, includes a secret ending to Charlie and the Chocolate Factory and excerpts from the author’s hilariously bad report cards. Wrote one teacher about Dahl in 1931: “A persistent muddler. Vocabulary negligible, sentences malconstructed. He reminds me of a camel.” (via Galley Cat)
Roald Dahl and the Hilariously Bad Grades
Mixer Publishing Contest
“Mixer publishing, with guest editor Paul Tremblay (author of Swallowing A Donkey’s Eye), is offering a $1,200 honorarium for the best speculative/sci-fi story, graphic narrative (comic), or poem.” The contest deadline is June 30th.
Literary Fanfiction?
Here’s an essay you don’t see every day–a fairly passionate defense of the literary merit of “fanfiction.” For a closer look at how fanfiction will go on to be taught in classrooms, here’s Millions staff writer Elizabeth Minkel with more.
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Not Enough
“Oh, speaking of dust, I am pretty sure I have a dust allergy. A debilitating, truly severe dust allergy. But I can’t dust this place, because I have to leave everything as it was that fateful day, untouched, preserved, still, because I am crazy and should be on disability. Also, between us, you see this place? It has like 30 rooms. I mean, who can clean that?” Miss Havisham (of Great Expectations) has issues with the denial of her disability claim.
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Third Way
You may have heard that E.L. Doctorow passed away last week. The Ragtime and Billy Bathgate author was known for his mastery of historical fiction. At The Guardian, Michael Chabon offers a tribute, arguing that Doctorow found a way out of the binary trap between postmodernism and realism.
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Ruin-Reading
Junot Díaz is at home discussing his native Hispaniola as he muses on the function of apocalypse – New Orleans, Haiti, and Japan – in our global media landscape.
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Inventing Language
From J.R.R. Tolkien‘s High Elvish to Anthony Burgess‘s Nadsat: the BBC takes a survey of fictional languages and the invented words that made it into our everyday speech, like Dickens‘s “butterfingers” and Shakespeare‘s “scuffle.”
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