Lev Grossman is ready to dub John Jeremiah Sullivan, author of Blood-Horses and, more recently, Pulphead, “the next Tom Wolfe,” and NPR‘s Dan Kois agrees that he might be “the best magazine writer around.” Elsewhere, Zach Baron writes an interesting profile of the author for The Daily.
Chilean Communists want to exhume Pablo Neruda’s body to determine his actual cause of death. The endeavor is being undertaken because Neruda’s “former driver said he received an injection which provoked a heart attack.”
We knew she was trouble when Taylor Swift joined the cast of the Weinstein’s adaptation of The Giver. Billboard reports that Swift has signed on for an unspecified supporting role along with Jeff Bridges, Meryl Streep, Katie Holmes, and Alexander Skarsgard. The movie will start filming in Cape Town next week.
Nicole Chung interviews Amy Tan about her new memoir Where the Past Begins: A Writer’s Memoir, one of the highlights is when Tan ponders being one of the ‘first’ authors that people name/read when they think of Asian-American literature. “But when [“The Joy Luck Club”] came out, it did feel like there were many expectations from all areas — not just in the Asian American community, but in Asian culture itself, and in any ethnic studies community. There were people who said ‘At last!’ and there were people who said ‘How dare she?’ […] I wanted to say: I’m not writing sociology, it just so happens this is what happened in my own family.”
“I was also deeply protective of my father, who at the time of my reading was struggling with illness and other demons. Yet I saw painfully how he could also be a figure of fun. It dawned on me that Cal, supposedly a great friend, might be mocking him—even just by writing about his mockery by others. I registered the first stirrings of an uncertain dislike.” Diantha Parker considers her father’s long friendship with Robert Lowell, immortalized in Lowell’s poem “To Frank Parker.”
This piece on the limited language of David Lynch from Dennis Lim over at The New Yorker is a fascinating journey into the mind of the peculiar auteur behind such gems as Eraserhead and Twin Peaks. Lynch will be publishing what he has called a “quasi-memoir” sometime in 2017.