“If DBC Pierre wasn’t twelve scotches into a bender before he went on stage, I have lost a substantial wager.” Notes from the Melbourne Writers Festival, at the Electric Literature blog.
Paula Fox, celebrated novelist and winner of the 1983 National Book Award (among other honors), died this week. Contributing to our Year in Reading series two years ago, Parul Sehgal said she couldn’t stop rereading Desperate Characters, perhaps Fox’s most popular book for adults. “It’s really a wallop of a book,” Sehgal wrote. “A barbed portrait of a marriage, not to mention a brilliant take on gentrification, white fears of black and brown people, the hostile insularity of the nuclear family, and how power reproduces and how power conceals itself.” (Bonus: Dominic Smith wants to send a scene from that novel into space.)
“In 2007, five out of the 10 best selling novels in Japan were originally mobile phone novels,” reports Olivia Solon. (In 2008, we published a translated excerpt of one.) Now Movellas has emerged as a new platform for Keitai Shousetu, or literature designed for mobile devices.
“’This Is Just To Say’ is magical because of this personal, endless quality to it,” writes Jezebel’s Kate Dries in her exploration of the poem’s prevalence among Twitter comedians. Meanwhile Andrew Epstein remarks in a supplementary blog post, “I guess this is just to say that the Jezebel piece reminded me that Kenneth Koch was remixing and spoofing [William Carlos] Williams almost 50 years before anyone ever dreamt of Twitter.”
“Idea #2: Book opens to reveal it is hollow, contains one medium-sized onion. Review: ‘Multilayered… had me in tears.'” How to write a first novel that gets praised in the New York Times.