Susannah Hunnewell interviews Michel Houellebecq, France’s controversial literary icon, for The Paris Review’s “The Art of Fiction” series: “There is a need for intensity. From time to time, you have to forsake harmony. You even have to forsake truth. You have to, when you need to, energetically embrace excessive things.”
Michel Houellebecq on the Art of Fiction
Who Needs Music?
Continuing my trend of invoking Outkast’s musical stylings at least once per weekend, I now present to you Big Boi’s isolated vocals from “Bombs Over Baghdad.” (You can check out other isolated vocal tracks unrelated to Outkast over here, but I have to wonder why.)
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They’re Burning Books
in the film version of Fahrenheit 451. In the New York Times this week the director Ramin Bahrani talks about his love of books, how he decided which books to turn in the film and why he wanted to bring this novel to the small screen in the first place. It will air on HBO next Saturday (May 19th).
The Book Club to End All Book Clubs
A long discussion of Tenth of December that includes George Saunders himself? Why, Rumpus Book Club, you’re too kind.
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Tuesday New Release Day: Danielewski; Enright; Shepard; Gibson; Lutz; Novic; Greenfeld; Gessen
Out this week: The Familiar, Volume 1 by Mark Z. Danielewski; The Green Road by Anne Enright; The Book of Aron by Jim Shepard; The Edge Becomes The Center by DW Gibson; The Daemon Knows by Harold Bloom; How to Start a Fire by Lisa Lutz; Girl at War by Sara Novic; The Subprimes by Karl Taro Greenfeld; and City by City, an essay collection edited by Keith Gessen and Stephen Squibb. For more on these books and other new titles, go read our Great 2015 Book Preview.