At the Electric Literature blog, Judson Merrill responds to his many rejection letters: “If you were that excited about my submission, I’m concerned you may have read it with unfair expectations… I’ve reattached my submission under the new title ‘Eight Pages of Tripe’…”
Year in Reading alumna Porochista Khakpour has a stunning new story in Bennington Review. She writes, “I had made a point of trying to learn the names of everyone in my department, after my previous department chair at my last VAP job advised ‘best way to make a best impression is know every name of professor and student alike.’” For more of her writing, check out her Millions piece on George Saunders.
Recommended Reading: From The New Yorker, it’s Tessa Hadley on fiction as anthropology: “When I’m writing a story, its world is thin, unsatisfactory, untrue, until I start to find my way to those details, those ‘small cultural signifiers.’ As these accumulate on the page, the life in the piece thickens, the details breed, and the story begins to stir.”
Jennifer Egan recently spoke with Willing Davidson, fiction editor of The New Yorker, as part of Rewiring the Real, a yearlong series of podcasts with writers about the interplay of literature, technology and religion. Rachel Hurn, a former Millions intern, was there and noted Egan’s ambivalence towards “personal writing.” [Updated to correct the quote] “If writing necessarily meant writing about myself, then I’d rather do something else,” Egan said.