Flavorwire presents a list of its ten favorite bookstores in the United States and requests that you “buy something fer crissakes.”
Sometimes, Virginia Woolf took a break from her busy schedule of constant brilliance in order to write children's stories for her nephews' newspaper, The Charleston Bulletin. A taste: "When in a good and merry mood Trisy would seize a dozen eggs, and a bucket of flour, coerce a cow to milk itself, and then mixing the ingredients toss them 20 times high up over the skyline, and catch them as they fell in dozens and dozens and dozens of pancakes."
“A very proper letter (‘scrutinized and corrected by the magazine's fact checkers and proofreaders,’ wrote the Times) was sent to [Robert] Gottlieb, beseeching him to decline the [New Yorker] job,” writes Elon Green in his overview of Gottlieb’s brief stint as the magazine’s editor. How would you feel if Donald Barthelme, Deborah Eisenberg, Ian Frazier, Jamaica Kincaid, Janet Malcolm, J.D. Salinger, and 148 others all told you, “don’t come” to your new job?
Loudpoet has an interview with former Soft Skull Press publisher Richard Nash about his new social publishing venture Cursor. "“Social” is taking the book and making it much easier to have a conversation with the book and its writer, and have conversations around the book and its writer." Is this a way forward for beleaguered publishers? (via The Lone Gunman)
"At bottom, the argument about copyright is not really a philosophical argument. It’s a battle between interest groups." Louis Menand writes about American copyright law in the digital age for The New Yorker, and his essay pairs well with the many articles on copyright we've published over the years.