Flavorwire presents a list of its ten favorite bookstores in the United States and requests that you “buy something fer crissakes.”
"Maybe I’m not outraged. I’m exhausted and open and exposed and a lot of other people are too because we are wounds that get picked at and picked at and picked at one day, there won’t be anything left to heal." At The Rumpus, Roxane Gay writes on the sexism and racism of Seth MacFarlane's Oscars jokes.
Kirk Curnutt takes readers on a tour of of F. Scott Fitzgerald's oft-neglected commercial short fiction. Fitzgerald, after all, "produced 160 short stories [in his life]," writes Curnutt, "earning a total of $241,453 off the genre -- more than $3 million in today's dollars." Yet the author didn't think highly of the work, and even referred to himself as an "old whore" because he wouldn't quit.
This year’s Whiting Award winners have been announced. The award recognizes “ten emerging writers of fiction, nonfiction, drama, and poetry, and are based on the criteria of early-career achievement and the promise of superior work to come.” The winners include Catherine Lacey (of Nobody Is Ever Missing); Alice Sola Kim (of Mothers, Lock Up Your Daughters Because They Are Terrifying); and Ocean Vuong (of Night Sky with Exit Wounds, among other books).
Some writers find their voices by heading off to Europe. Others (like Thoreau in Walden) head off to the woods instead. At The Rumpus, David Biespiel writes about the year he moved to Vermont, and what it meant to see himself as "leaning into" his youth. Pair with our own Anne K. Yoder on Ken Kesey and the Oregon coast.
Not caught up on the emerging Hermione/Ron scandal? Here’s a recap: a few days ago, J.K. Rowling not only said in an interview conducted by Emma Watson that she regretted pairing up Harry Potter’s best friends, she also said that Harry and Hermione should have ended up together. “[Pairing Hermione and Ron] was a choice I made for very personal reasons, not for reasons of credibility,” she said. “Am I breaking people’s hearts by saying this? I hope not.” (This might be a good time to revisit Michelle Dean on the series.)
In a New York Times op-ed piece on violence in children's literature, Maria Tatar claims that "the savagery we offer children today is more unforgiving than it once was." Is that really the case? Adam Gidwitz's A Tale Dark And Grimm (reviewed by the Times last November), which underscores the violence inherent in Grimm's tales, can be read as a counterpoint.