From Flavorwire, another contribution to the burgeoning field of author photo analysis.
It’s high time we acknowledge the mastery of the short story by some really fantastic American women. At LitHub, Bridget Read makes a compelling case for such writers as Lucia Berlin and Jamaica Kincaid as veritable dons of the genre. This piece pairs nicely with a recent Millions essay by Adam Boffa on terseness, Twitter, and Lydia Davis.
Tranquility by Attila Bartis is named winner of the inaugural Best Translated Book Award. Scott rounds up some reviews and background on the book.Video: Tom Perrotta on the state of American literary culture.”Art History books are full of errors.” This one is about La Raie Vert [the Green Stripe] from 1905 by Henri Matisse.Perfect for the cubicle: Five Chapters serialized John Cheever’s short story, “Of Love: A Testimony,” in bite-sized portions.Mark Sarvas (re)launches the Three-Minute-Interview series, starting with Plimpton Prize winner Jesse Ball. We reviewed Ball’s debut Samedi the Deafness last year. Ball’s new book is The Way Through Doors.Meanwhile, Sheila Heti chats up Mary Gaitskill.Yearbook photos of politicians: Mike Huckabee, How YOU doin’?Norman Mailer and William Styron conduct an epistolary friendship.The Nation revisits the ever-popular subject of Kafka and his critics.Wyatt Mason and friends parse Joseph O’Neill to within an inch of his life.Reif Larsen is this year’s Million Dollar Baby.And, from the Department of Dead Horses and Guys Kicked While Down, we bring you this…
“For a woman to be a flâneuse, first and foremost, she’s got to be a walker – someone who gets to know the city by wandering its streets, investigating its dark corners, peering behind façades, penetrating into secret courtyards. Virginia Woolf called it ‘street haunting’ in an essay by that name: sailing out into a winter evening, surrounded by the ‘champagne brightness of the air and the sociability of the streets,’ we leave the things that define us at home, and become ‘part of that vast republican army of anonymous trampers.’” On the female flâneur. Also check out this Millions essay about the flâneur in modern fiction.
We’ve written about the newly published Laura Ingalls Wilder memoir several times, but a new review in the LA Times calls attention to one of the most interesting questions raised by the work: how much influence did Wilder’s daughter Rose Wilder Lane, an accomplished author in her own right, have on the final Little House books?