From Granta, we learn that Kazuo Ishiguro likes to go by “Ish.”
Millions contributor Kaya Genç reports on Istos, a Greek-owned publishing house based in Istanbul, Turkey, that’s “interested in challenging the partial, nostalgic stereotype of the old Greek community as a fashionable elite.” Meanwhile, across town, the Çağlayan Courts of Justice shocked the Turkish literati with a warning for the Sel Publishing House: stop publishing the “obscene” works of writers like William Burroughs and Chuck Palahniuk.
In The Atlantic, Johnathan A. Knee writes about how curation and aggregation can be more profitable than content creation. That is the idea behind BookLamp, a new search engine based on books’ content and writing style, not sales data. “At times, being able to ignore the marketing data can be good for the recommendation,” explains CEO Aaron Stanton.
Just in time for Labor Day, the folks at Open Road Media have assembled their annual video of writers talking about the day jobs they’ve left behind. Did you know James Salter sold swimming pools? Or that Edna O’Brien used to weigh babies in a chemist’s shop? This year’s installment can be found here; last year’s over here.
Writers of facial stage direction, beware: it is not actually the epitome of irony that smiling and crying can seem so oddly similar. At Aeon, Princeton professor Michael Graziono argues that the seemingly opposite gestures may just share evolutionary origins. (Pair with: Darwinist theories about “the evolution of the novel.”)