From Granta, we learn that Kazuo Ishiguro likes to go by “Ish.”
Over at Threepenny Review, Jess Row expounds on “blandness” in the work of Haruki Murakami, and particularly in his 2.8 lb. tome 1Q84—a book tabbed by Charles Baxter in last year’s Year in Reading as the best he’d read all year. Row contemplates the way Murakami’s characters and sentences “almost never lose this placid, observant neutrality,” or “continuous monotone.”
Over the past fifteen years, Mohsin Hamid has moved from New York, to London, and to Lahore, Pakistan, with stints in Italy and Greece. His new book, which came out yesterday, is a series of essays about his odyssey across the world, chronicling his observations and experiences that led him to move. At Bookforum, a review by Jake Lamar.
Jennifer Egan recently spoke with Willing Davidson, fiction editor of The New Yorker, as part of Rewiring the Real, a yearlong series of podcasts with writers about the interplay of literature, technology and religion. Rachel Hurn, a former Millions intern, was there and noted Egan’s ambivalence towards “personal writing.” [Updated to correct the quote] “If writing necessarily meant writing about myself, then I’d rather do something else,” Egan said.
The Sagrada Família, which Antoni Gaudí began designing in 1883, is due to be completed in 2026. Recently, 60 Minutes aired a feature on the masterpiece envisioned by “God’s architect,” and a new video depicts the work still be done, as well as what the church will look like when it’s finally completed. You can also take a virtual tour of the interior as well.