Self-styled music critic Patrick Bateman, the protagonist of Bret Easton Ellis’s 1991 novel American Psycho, certainly had a lot to say about 80s mainstays like Genesis and Huey Lewis and the News. Over at The New Inquiry, J. Temperance argues for Steve Winwood as Patrick Bateman’s musical doppelgänger. Go ahead and take a look at this essay by Bill Morris of The Millions on The Canyons, a film for which Ellis wrote the screenplay.
Lindsey Drager considers the novella and argues that it is neither a feminine form nor a smaller type of novel. As she puts it, “while other fiction aims outward, the novella curls in, coiling around itself until there’s no distinction between the story’s body and the story’s shell.” Pair with our own Nick Ripatrazone’s essay on the art of the novella.
Last month, Austin Bunn published The Brink, his debut collection of short stories. The stories, as Ryan Krull describes them in The Rumpus, hinge on pushing characters to some personal limit of behavior. In an interview, Bunn talks about why that is, as well as his new short film, In the Hollow.