“The United States has a startling ability to take its most angry, edgy radicals and turn them into cuddly eunuchs.” Johann Hari reviews James L. Haley’s new biography Wolf: The Lives of Jack London, at Slate.
The Darker Side of Jack London
Tuesday New Release Day: Wray; Tennant-Moore; Wink; Sorrentino; de Kerangal; Gustine; Barbery; Silva; Warlick; Enrigue; Amdahl
Out this week: The Lost Time Accidents by John Wray; Wreck and Order by Hannah Tennant-Moore; Dog Run Moon by Callan Wink; The Fugitives by Christopher Sorrentino; The Heart by Maylis de Kerangal; You Should Pity Us Instead by Amy Gustine; The Life of Elves by Muriel Barbery; Square Wave by Mark de Silva; The Arrangement by Ashley Warlick; Sudden Death by Álvaro Enrigue; and The Daredevils by Gary Amdahl. For more on these and other new titles, go read our Great 2016 Book Preview.
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La Buena Educacion
At The Paris Review Daily, Pedro Almodóvar tallies the elements of cinematic comedy, which include good timing, “rapid-fire dialogue” and rehearsals that draw out spontaneous performances from actors.
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Building the Library of Utopia
Google ran into a wall of litigation when it tried to create a public digital archive of every book in the world. Now a team of academics is taking on the challenge. Nicholas Carr examines whether Robert Darton and Harvard’s Berkman Center for Internet and Society can succeed where Silicon Valley failed. Also be sure to check out our review of Nicholas Carr’s The Shallows: What the Internet is Doing to Our Brains.
Bill Morris, Artist
Our own Bill Morris has long worn his writer’s hat, but he recently revealed to us his artistic side. Now his Flannery O’Connor portrait has fetched an impressive price in the recent One Story magazine charity auction. Is art world stardom next?
Michiko Kakutani on Jonathan Franzen’s “Freedom”
At The New York Times, Michiko Kakutani gets in an early review of Jonathan Franzen’s Freedom, heralding it “his most deeply felt novel yet.”
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Off Beat
Hollywood is romanticizing the Beat Generation in its recent adaptations of On the Road (trailer here), Big Sur (trailer here), and Kill Your Darlings, and you can blame Millennials. “In casting the authors as eternally and fundamentally adolescent, the recent revival tones down their behavior—both revolutionary and repulsive—as a sort of passing teenage phase,” Jordan Larson argues for The Atlantic.
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