Taylor Antrim at the Daily Beast explores the art and business of the novella, and offers up a few recent “unexpectedly revelatory” suggestions.
"The Time I Spent On A Commercial Whaling Ship Totally Changed My Perspective On The World," a blogger named Ishmael writes, on the sister blog to The Onion. (But I like these titles better.)
David Meltzer interviewed renowned Beat poet Lawrence Ferlinghetti for the Poetry Foundation. At 93 years of age, Ferlinghetti still contends that “the real popular poets of America” are not the people writing verse for poetry collections, but rather the folk musicians and folksingers. “A lot of folksingers’ poems are greater than the printed poems!” Ferlinghetti explains. Evidently the American Academy of Arts and Letters agrees: Bob Dylan recently became the first rock musician ever inducted into its ranks.
"We live in the age of opinion — offered instantly, effusively and in increasingly strident tones. Much of it goes by the name of criticism, and in the most superficial sense this is accurate." The New York Times approached six accomplished critics, Stephen Burns, Katie Roiphe, Pankaj Mishra, Adam Kirsch, Sam Anderson, and Elif Batuman to explain, in the spirit of Alfred Kazin, "what it is they do, why they do it and why it matters."
A half-century ago, Thomas Berger published Little Big Man, a satire of Westerns that helped increase the stature of the Western genre as a whole. To mark the book’s 50th anniversary, Allen Barra reflects on its legacy, suggesting that it’s as good a candidate as any for the title of Great American Novel. Related: Daniel Kalder on the odd phenomenon of the Euro-Western.
Tonight at 7pm in Prospect Heights' Soda Bar: the 10th installment of the Soda Series. Short readings followed by conversation from Roberta Allen, Robin Grearson, John Haskell, and Kirsten Kaschock. The conversations will be moderated by John Dermot Woods and Greg Gerke. The Series also has a Facebook page.