With the Booker longlist out, that means betting is underway. Bookies are calling David Mitchell, Tom McCarthy, and Andrea Levy the favorites right now, with Damon Galgut the longest shot to win the prize.
You may have heard that the pioneering jazz musician Ornette Coleman died last week at the age of eighty-five. As a composer, he was known for his odd melodies, which reliably tested the boundaries of what jazz could accomplish. At The Paris Review Daily, two musicians and writers look back on his legacy.
You may have heard that Haruki Murakami has a new book on shelves. Woody Brown reviewed it for The Millions last week. Over at Electric Lit, Lincoln Michel invites us to play Murakami Bingo, created by Grant Snider, once again. It might also be a good time to read Ben Dooley on 1Q84.
“To use the lingo of their era, these novels are square. The protagonists have names like Jane and Barbara; they are not the misfits of which much teen literature is made but instead fundamentally good girls who long to fit in, and usually do … Viewed through the lens of contemporary culture, and especially contemporary teen lit, these girls should be boring and shallow. But Beverly Cleary’s supposedly ordinary girls are complex: resentful of their mothers one moment and sympathetic toward them the next, willing to do anything for one special boy but indignant when they’re taken for granted.” On the unexpectedly complex nature of Beverly Cleary’s boring protagonists with Ruth Graham at Slate.
Remember a few weeks ago when Paul Bogaards was kind enough to list us onto his Hierarchy of Book Publishing: The Top 100? We were entry no. 67, not nearly so powerful in the book publishing world as the original publisher of Kathryn Stockett’s The Help, Amy Einhorn; her hair was entry no. 4. Though we were deemed slightly better than New Jersey, which was listed at no. 68. We even posted a curiosity about it. Well, the New York Observer’s got a follow up piece on the joke, and is calling the original Tumblr post a flame out. Bogaards takes a different tack, saying that his Twitter and Tumblr streams are “a curation of industry anxiety. Interspersed with humor. And cocktails.”