"Much of what passes for advanced literary scholarship these days is dreadful twaddle -- incoherent, emotionally empty, deeply illiterate," says Terry Castle in a recent interview with Salon about her new book of essays, The Professor. You can also catch Castle in the most recent issue of The New York Times Magazine.
It is well known that Vladimir Nabokov and Edmund Wilson had one of the more visible falling outs in literary history over the former’s English-language Eugene Onegin translation, and indeed the history of that relationship’s souring is fascinating. But even still, it’s extremely interesting to read Nabokov’s nine-page “Reply” to Wilson’s “adverse criticism.” If nothing else, one has to wonder what Wilson was thinking when he brought a knife to a gun fight.
Considering the sheer volume of references in the cultural air, you probably believe you have a pretty good grasp of Shakespeare’s Romeo and Juliet. To this I say, hold up there, Straw Man Reader -- Ye Olde Romance That Could has more to it than you think.
Though everyone is tired of the online critics are too nice/ do critics even matter debate cropping up everywhere as of late, Daniel Mendelsohn's "Critic's Manifesto" may be the best thing to come out of the conversation yet: a clear formulation of what it means to be a critic and why that matters.
"Magic I think for me is kind of personal. Like, as soon as magic is in play, then I am given permission to imagine a different world, one in which magic things might happen—one where maybe I get some magic to wield if I’m lucky. Where cool stuff might happen at any given moment, cool stuff you wouldn’t even guess at. And for as long as the story holds, I’m kind of living in that world." John Darnielle talks with Colin Winette about E.R. Eddison's The Worm Ouroboros, reading high fantasy and writing Wolf in White Van.
Why did Richard Brautigan’s friends eventually stop inviting him to parties? Was it because he got drunk? Was it because he brought too many friends? Or was it because, as Michael LaPointe suggests in his review of Jubilee Hitchhiker: The Life and Times of Richard Brautigan, he liked to pack a revolver?