Granta asks past contributors for short playlists of songs on the theme of memory. Last week features selections by Aimee Bender, Isobel Dixon, and Adam Mars-Jones; weeks past include playlists from Jeffrey Eugenides, Lorrie Moore, and Wells Tower.
“Music and Memory” Playlists
Literary Icons Interview Each Other
Year in Reading alum Margaret Atwood interviews Louise Erdrich. They discuss Canada, reproductive rights, their hopes for the future and writing messy characters in a dystopia. Find it in Elle.
Postscript
Just before he died earlier this year, Nobel winner Günter Grass completed his last manuscript, Vonne Endlichkait, “a literary experiment” that combines prose, poetry, and illustration. The book has just been published in German and will be available in English next year.
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Costume Drama
Callan Wink, the Wyoming writer who’s published two stories in The New Yorker since 2011, has a new story, “One More Last Stand,” in Granta’s Spring issue. Among other things, it depicts the oddly frightening “heat of battle re-enactment.”
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Talking to Ourselves
“Like walkie-talkies that require a button be pressed to speak and released to hear, does reading require that either the voice of the author or the voice of the reader’s consciousness be silenced at any given moment? Such an analogy suggests that reading is an act of hospitality toward another’s mind, in which we silence our voice in courtesy to the voice of another’s consciousness, a voice that alternates with our own in conversation.” John Biguenet on silent reading.
False Negative
A striking photo of the Brontё sisters is not, in fact, a photo of the Brontё sisters. The women in the photo look a lot like them, but their hometown didn’t have much in the way of photography in the 1840s, and there isn’t any record of the Brontёs getting their photo taken. So how did the picture become known for being something it isn’t? At the LRB’s blog, Alice Spawls explains why. Pair with our own Edan Lepucki on Jane Eyre’s Mr. Rochester.
My Brah Horatio
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