Granta asks past contributors for short playlists of songs on the theme of memory. Last week features selections by Aimee Bender, Isobel Dixon, and Adam Mars-Jones; weeks past include playlists from Jeffrey Eugenides, Lorrie Moore, and Wells Tower.
Here at The Millions, we know the importance of a book’s cover (for evidence see here, here, here and here), so Margaret Sullivan‘s new project, Jane Austen Cover to Cover, has our attention. A sample of covers for Emma, available on The Paris Review‘s blog, “provides a fascinating glimpse into a variety of publishing cultures, and it reminds that even our classics are mutable, pitched to appeal to any number of sensibilities, their literary status in constant flux per the dictates of the market.”
“This is a tricky novel to review. I’m not even sure it is a novel. And I’m not certain as to whether its fragmentary nature belies an organic structure of astutely sewn intention or is merely a disingenuous device to conceal a let’s-get-something-out cobbling together of unpublished material lying around the writer’s desk. What I can tell you is this: I was powerfully engaged and richly entertained by Sergio De La Pava’s Personae.” (Related: our own Garth Risk Hallberg wrote a profile of De La Pava.)
Over at Ploughshares, Daniel Peña traces a parallel between Maggie Nelson’s The Argonauts and Gloria Anzaldúa’s hybrid text Borderlands/La Frontera: The New Mestiza. As he puts it, “To separate Anzaldúa from the larger canon (and subsequently from those books she influenced) is to ignore her contribution to American literature. It’s to say she doesn’t belong in that kind of highbrow conversation, which she so obviously does—even Nelson acknowledges that she does.”
David Lodge never set out to be a writer of campus novels, but that may end up being his legacy, thanks to his most famous books, Changing Places and Small World. In the LRB, Stefan Collini reviews a new book of essays and an autobiography by the author, the latter of which covers the first forty years of his life.