Japanese director Satoshi Kon died last Tuesday at the age of 46. His last words, a rambling text that his family uploaded to the Internet following his death, have just been translated to English: “Everyone, thank you for all the truly great memories. I loved the world I lived in.”
Last words
Lay Down Your Arms
Growing up, I was always taught that chickens lay eggs and people lie down. Since then, I’ve always been irritated by that verb’s misuse. But maybe it’s time to settle down and relax. Maybe, as Kathryn D. Blanchard argues, it’s time to stop “clinging to values that no longer serve their purposes.”
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Dark Thoughts
If you know that Patricia Highsmith wrote The Talented Mr. Ripley, you know that she’s an exceptional authority on the workings of the criminal mind. At The Paris Review Daily, Dan Piepenbring digs up an old interview with the author, in which she describes the act of murder as “the opposite of freedom.” You could also read Tana French on Highsmith’s Strangers on a Train.
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McGregor Adapting American Pastoral
This week in book-to-film adaptation news: Ewan McGregor will direct and star in an upcoming version of American Pastoral.
Tuesday New Release Day: Choi, Aw, Zambrano, Roth, Banville
New this week: My Education by Susan Choi, Five Star Billionaire by Tash Aw, Loteria by Mario Alberto Zambrano, The Unknowns by Gabriel Roth, and a new edition of a previously hard to come by early collection of stories by John Banville, Long Lankin. Stay tuned for our big second-half preview with many, many more anticipated books, coming in less than a week.
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Not a Chore
One of the more persnickety questions a writer has to deal with is how to capitalize the title of a piece correctly. Thankfully, there’s now a website that does it for you, based on the rules in the Chicago Manual of Style.
Transgressive, Interesting, Weird
This summer, Emily Books will launch a new imprint with Coffee House Press, featuring books “by women and gay men and gender outsiders—or people who had transgressive, interesting, weird personalities.” Also check out this Millions essay on what we call what women write.
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The Humanity
I’ve written before about the ouroboric development of book reviewers reviewing book reviews. In The Spectator, Sam Leith uses a new book by David Lodge as a reason to ask: where will it all end?
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