At Newsweek, Jeremy McCarter reviews The Cross of Redemption, a new anthology of James Baldwin’s previously uncollected essays and public letters: “At a time when serious people claim we live in a ‘post-racial’ society, the reappearance of Baldwin’s writing—insistent, accusatory, outraged—feels like a terrible family secret coming to light in an Ibsen play, or Banquo’s ghost showing up to spoil the party.”
Sometime Millions contributor and New York Daily News editorial staffer Alexander Nazaryan has kicked off the Daily News‘ new literary blog, Page Views. Nazaryan says, “you may not think of the tabloid as a particularly literary format, but we are going to challenge your assumptions of what constitutes literary/cultural reporting in this town.” His first post, “Don’t tell me the book is dead,” went live this morning.
Electric Literature—first established as a cross-platform digital publisher, but best known for its popular “Recommended Reading” tumblog—has just relaunched itself as a literary advocate built around a strong website and social channels. C0-founder Andy Hunter tells the Washington Post, “Posting a cool photo on social media gets a much greater response than text alone, even in our audience of book lovers. While at first that might seem at odds with literary content, we’ve always felt that changes in the way we communicate create opportunities to reach more people.”
Wikipedia states that its ultimate mission is to collect all the knowledge in the world. The biases of its users may earn the site a few jabs, but if a number of studies which compare the site’s articles to those of professional encyclopedias are reliable indicators, its content is accurate enough to satisfy the needs of most users. But now the whole project may be in trouble for a simple and very odd reason — it’s apparently done so well that most of its contributors have gone home.