How much does a writer make? The Rejecter (“I don’t hate you. I just hate your query letter”) breaks it down.
The day has come. Amazon just announced that it is now selling more e-books than physical books, and its ad-infused “Kindle with Special Offers is already the bestselling member of the Kindle family.” Meanwhile, it’s still news when a well-known author publishes an e-book (in this case, Susan Orlean’s new Kindle Single Animalish).
A lot of writers have alter-egos, but few are as interesting as Benjamin Black, the crime-writing persona of Irish novelist and Year in Reading alum John Banville. The author’s new novel adds an entry to the saga of a crime-fiction icon: Raymond Chandler’s Angeleno detective, Philip Marlowe.
E. V. De Cleyre explores the right moment to end a nonfiction story. She writes that life rarely offers conclusions, and “dealing with actual occurrences often means there is no definitive end, and even if there were (such as a death), there comes the aftermath—the grief, the coping, the rebuilding.” Pair with Sonya Chung’s Millions essay on literary endings.
“Imagination for me has always been about the spaces in between, a sort of filler that completes a picture. If what we know is the jaggedness of the ocean floor, then imagination is the body of water that defines what is hidden and what is seen.” This essay on interstices and representing Hawai’i Creole English as a legitimate literary participant is excellent.