At The Washington Post, Tawny Tipples (not his real name) takes a look at famous authors’ pseudonyms, and why modern writers continue to hide behind them. (via Book Bench)
Famous Authors’ Pseudonyms
Rise of the Neuronovel
“As young writers in Balzac walk around Paris pitching historical novels with titles like The Archer of Charles IX, in imitation of Walter Scott, today an aspiring novelist might seek his subject matter in a neglected corner or along some new frontier of neurology.” Marco Roth questions the rise of the “neuronovel” at n+1.
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“Principally & Unaccountably Strange”
Murray Farish‘s debut collection, Inappropriate Behavior, includes tales of fictionalized or alternative history that incline toward the surreal. He discusses the “principally and unaccountably strange” with Evelyn Somers, who has written about his work before, at Bloom. Fancy yourself more weirdness? Head to Weird Fiction Review curated by Jeff VanderMeer, whose Southern Reach trilogy was just released in one volume.
Queer Literature’s Role in the Revolution
David Canfield hosted a virtual discussion on the future of queer literature with Naoise Dolan, Nicole Dennis-Benn, Akwaeke Emezi, and Garth Greenwell.
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The Art of Encouragement
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Make It New
“After ten years of painting, that is to say ten years of using an abstract, invented language, writing stories was the closest I had come to working in the realm of ‘realism.’ It was the most direct I had ever been in my art. Perhaps the most direct I had ever been. But, as I learned from the comments of my peers in workshop (‘this isn’t a story,’ ‘this is poetry,’ ‘what is this’), my writing was something other than what we referred to as literary realism. By which I mean, the writing many have come to believe most accurately represents life.” Susan Steinberg asks what happened to American experimental writing.
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