Newsweek unearthed a heretofore unseen candid snapshot of J.D. Salinger “three years into the seclusion that would span the last 45 years of his life.” (Thanks, Chris)
"I am uncomfortable in my role as witness." Nehal El-Hadi writes for The New Inquiry about the online spectacle of black death, exploring what "Black thanatosensitive" user experience design might look like. And ICYMI: our own Ismail Muhammad on Frank Ocean and depictions of the black male body.
"I gave up on making a happy ending in the true sense a long time ago." Japanese animator and film director Hayao Miyazaki is something of a legend. Over at The Literary Hub, Gabrielle Bellot takes a look at the expansive literary history of Miyazaki's Studio Ghibli.
Black Country, the debut book of poetry by Liz Berry, won this year's Forward prize for best first collection. At The Guardian, Ben Wilkinson writes about the ways in which the book “digs deep into the poet’s West Midlands roots, enlivening and reimagining the heritage of that eponymous heartland of iron foundries, coal mines and steel mills, on both personal and public footings.”
New this week: Moonglow by Michael Chabon; I'll Take You There by Wally Lamb; Morning, Paramin by Derek Walcott and Peter Doig; Selected Poems 1968-2014 by Paul Muldoon; and a new Richard Pevear translation of Alexander Pushkin's complete prose. For more on these and other new titles, go read our latest fiction and nonfiction book previews.