In its recently released third issue, The Point – a terrific Chicago-based journal of ideas – takes up the vexed question of Don DeLillo‘s literary significance.
Sergeant Ed Drew’s tintypes of the war in Afghanistan are the first tintypes made in a combat zone since The Civil War. Drew made them for his son. “I wanted him to know his father in the event that I was killed in action and it became less important that my work was done in tintype than that I could show the humanity of war in the eyes of airmen I fly combat missions with,” he said.
Get ready for the return of Breaking Bad by reading Michelle Kuo and Albert Wu in the LARB, and also by reading Max Rivlin-Nadler’s piece in The Nation. Or, if you want to take a walk down memory lane, check out Chuck Klosterman’s piece from last year in which he convincingly argued that Walter White’s odyssey makes for best drama on television. Lastly, here’s some good news for those among you who subscribe to DirectTV and are thus locked out of AMC: you can stream tonight’s episode on the company’s website.
This month the Cleveland International Film Festival will show Dear Mr. Watterson, a film exploring “how … a simple comic strip became so meaningful to such a massive and diverse group of people.” Yet despite the subject matter, the actual author of the Calvin and Hobbes series will almost certainly be absent from the screenings. Over at Full Stop, Liv Combe looks at the ways Bill Watterson is “keeping the idea of the private public figure alive.”