The David Foster Wallace interview, Although of Course…, comes under the scrutiny of one of Wallace’s most attentive readers, in the NYRB.
If you enjoyed the profile of Anne Carson in the latest New York Times Magazine – fictitious “ice bats” notwithstanding – you’re going to really love Parul Sehgal and Nathan Huffstutter’s two takes on Red Doc>. The work, Sehgal writes, is “suspended between what it is and what we want it to be.” And also, writes Huffstutter, it’s a work that “courses with a wit shot through with intelligence and humility.”
In her Shelf Awareness interview, Hilary Mantel admits that Wolf Hall, her recently released Bring Up the Bodies, and the trilogy’s forthcoming conclusion were originally conceived to be one book. That they kept expanding, she says, is “the torment and joy of writing fiction.” Meanwhile, over at The Daily Beast, the English author rounds up her five favorite historical fictions.
“A woman I did not know called me to help her with something I have always loved to do: write. Certainly it was fate, my involvement destined to be a seed for a fairy tale ending, I thought. I was wrong,” Scott Saalman writes about the moral challenges of agreeing to help someone with their writing at The Morning News.
Esi Edugyan’s Half-Blood Blues, shortlisted for the Booker Prize, is now out in the U.S. Also new this week are John D’Agata’s much-discussed Lifespan of a Fact, Sarah Manguso’s The Guardians, Ellen Ullman’s By Blood and The Boiling Season by Christopher Hebert, who has an essay up on our site today. The new memoir by Anthony Shadid has seen its release date pushed up to this week. See our remembrance of Shadid. Finally, it’s Christmas for baseball fans: the 2012 Baseball Prospectus is out.