W.S. Merwin, a Hawaii-based poet born in 1927, has been named the 17th Poet Laureate of the United States. A fellow poet writes, “There is something monklike about Merwin … He is trying to achieve a contemplative distance from desire and ambition.”
"'There's no success like failure,' Bob Dylan once sang – but he couldn't have envisaged the international notoriety that bad art would achieve in the digital age. Mark O'Connell's Epic Fail gleefully hops genres and centuries in a quest to understand our obsession with lameness. Clever, profound, bitingly funny, it's a brilliant analysis from one of the smartest new critics around." — Paul Murray, author of Skippy Dies
What drives the Year in Reading alum and Boy, Snow, Bird author Helen Oyeyemi? If we can believe her interview with The Globe and Mail, it isn’t just the enjoyment she derives from writing fiction. When asked why she wrote her new book, she said: “A few reasons, but mainly to see if I could...at this point, it’s perversity that keeps me writing.”
Finalists for the Center For Fiction’s First Novel Prize—including Sophie McManus, Ben Metcalf, Lori Ostlund, Viet Thanh Nguyen, Chigozie Obioma, Tanwi Nandini Islam, and Angela Flournoy—discuss the books that made them the writers they are today. Pair with our own Nick Ripatrazone’s recent article on authors’ favorite childhood books.
Hot new online magazine Full Stop has chosen The Late American Novel: Writers on the Future of Books as its inaugural book club selection. The discussion will be happening all this week.
"What is missing from Testimony is the customary idealistic hero, the one last encountered in Walt Whitman’s Leaves of Grass who doesn’t avert his eyes from suffering and sordidness, but who nevertheless is full of hope for a better future. Testimony is a corrective, an anti-epic." Charles Simić recounts Charles Reznikoff’s long poem Testimony: The United States (1885-1915): Recitative in the NYRB.