W.S. Merwin, a Hawaii-based poet born in 1927, has been named the 17th Poet Laureate of the United States. A fellow poet writes, “There is something monklike about Merwin … He is trying to achieve a contemplative distance from desire and ambition.”
W.S. Merwin named as 17th Poet Laureate of the USA
Borges’ Self-Portrait
Maud Newton posts a self-portrait by Jorge Luis Borges: “When he drew this, because Burt Britton asked him to, Borges was blind.”
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Vera, or Verdure
Over the course of a half-century, Vladimir Nabokov wrote hundreds of letters to his wife Vera, which are being published in book form this week for the first time. Among other things, they reveal the absurd pet names he invented for her (such as Goosykins and Monkeykins) and display Nabokov musing over whether or not to borrow a friend’s castle for the summer. Also worth reading: our own Garth Risk Hallberg on Nabokov’s Ada, or Ardor.
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Defining American Writing
In TNR, Ruth Franklin attempts to debunk the “strangely antiquated definition of American writing” posited in Dalkey’s Best European Fiction anthology. (via)
Storytelling in the Age of Twitter
Rita J. King investigates the ways storytelling is being influenced by Twitter. Indeed, she writes that “every five days, a billion tiny stories are generated by people around the world … [and] the tweets are being archived by the Library of Congress as part of the organization’s mission to tell the story of America.”
The Future of the Post-Apocalyptic
“Post-apocalyptic books are thriving for a simple reason: The world feels more precariously perched on the lip of the abyss than ever, and facing those fears through fiction helps us deal with it.” A look at the future of post-apocalyptic fiction from NPR, with a mention of our own Emily St. John Mandel‘s Station Eleven.
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