Want to know what artists Paul Chan and Richard Serra, poet Eileen Myles, and translator Charlotte Mandell are reading this summer? Check out The Brooklyn Rail’s Summer Reading List.
“‘It is the novelist’s innate cowardice that makes him depute to imaginary personalities the sins that he is too cautious to commit for himself.’ The autobiography of the imagination then is an autobiography of our base desires, the things we haven’t done but have longed for. It is our fantasies, our secrets from which we curate by redaction how someone else sees us. It is an autobiography of instinct, desire.” Emilia Phillips on poetry as the autobiography of the imagination, over at Ploughshares.
“By running two lives that started from the same point off along divergent tracks, they throw up questions about our uniqueness, and the chances and choices that make us who we are.” On identical twins in literature, from Stephen King to Shakespeare. Also check out Ramona Ausubel’s essay on first children and first novels.
We’ve published a fair number of articles on the issue of finance and employment in a writer’s life. In general, writers assume that the ideal source of income, at least as far as it concerns their own careers, is one that leaves them free of worries and blessed with ample time. In the latest Bookends, Mohsin Hamid and Rivka Galchen tackle a more existential question — do money woes inspire writers to greater heights of creativity?