Laura Miller at Salon explains why she would choose the novels and stories of Shirley Jackson to be stuck with in an isolated cabin over those of Roth, Cheever or Carver.
“I thought quite a lot about the vocabulary of tourism, the kinds of desires that vocabulary seems designed to ignite, and the promises made, and how those promises change or vanish altogether depending on who you are.” The Paris Review interviews Laura van den Berg about writing, tourism, and her new novel, The Third Hotel. From our archives: our 2015 interview with van den Berg.
“To say that late Victorian poetry is bleak would be akin to remarking that Wilkie Collins had a decent knack for plotting a novel. These poems are freighted with Gothic overtones, and it is not uncommon for some supernatural phenomenon to intrude upon what had started out as a seemingly harmless quatrain. We often encounter Death himself—or the Devil—who is something of a literary celebrity for the decadent poets. But what marks the best of these poems is that the outré is in service to something that we can think of as more desperate, and, wouldn’t you know, human.” Over at The Boston Review, an online-only essay looking at the peculiarities of Victorian decadent poetry.