Amazon is continuing the Kindle price cut action, introducing a new, enhanced version of the larger Kindle DX (this is the one that’s optimized for things like reading newspapers) and dropping the price by over $100.
“If one-sentence stories are as common as snowflakes, one-sentence novels are as rare as white ravens.” At The New Yorker, Brad Leithauser writes about the one-sentence novel or the point when the story builds to a particular sentence. To give you an example, here’s one of his favorites from Lolita: “I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art.”
Ed Champion interviews the FTC’s Richard Cleland in an effort to bring some clarity to the new FTC disclosure rules targeting “bloggers.” If this interview is any indication, the rules are imprecise and based on a false distinction, at best. For what it’s worth, I’ll happily disclose that we do get sent books for review from publishers, and the ways The Millions makes money are outlined on our (new and improved) Support page.
David Byrne, Talking Heads frontman, sits down with Smithsonian Magazine’s Seth Colter Walls to discuss his life, musical tastes, and his latest book, How Music Works. You can also read an excerpt from the book over here. (Also, you know, just because I have to…)
This weekend is the last chance to visit the International Antiquarian Book Fair in Boston. Included are a collection of Bonnie and Clyde photos and an illustrated letter from Alexander Graham Bell to his parents describing problems with his phone invention.
As part of the River to River Festival, poet Jon Cotner has put together a “floating world,” or a map of Japanese poet Matsuo Bashō’s work transposed onto Rockefeller Park. Each hour, Cotner will lead a tour through the world. This isn’t the first time Cotner’s done something cool like this, either. Check out our dispatch from his “Poem Forest” last year.
“Yes, it’s easy to laugh at the lawyers. But what if the lawyers were right? For the question that still needs to be answered, I think, is whether the arguments over the novel’s obscenity and obscurity were just temporary historical effects or whether they point to the essence of Joyce’s originality.” A longform look at why we should still find Ulysses scandalous.