Let’s take a moment to be jealous of other countries, shall we? In Iceland, “one in ten [residents] will publish something in their lifetime.” Norway’s government “buys 1,000 copies of every book a Norwegian author publishes. It provides a $19,000 annual subsidy to every author.” In Argentina, “the city of Buenos Aires now gives pensions to published writers.”
Originally, the film 2001: A Space Odyssey included more narration by co-writer Arthur C. Clarke, whose short story “The Sentinel” was the basis for Stanley Kubrick’s script. At the last minute, Kubrick decided to cut them out, which led to Clarke leaving the US premiere halfway through. In a piece for The New Statesman an old friend of Clarke’s explores his side of the story. You could also read Ted Gioia on a weirdly predictive ’60s sci-fi novel.
At The Awl, Noah Davis provides an honest overview of how difficult it can be to earn – or fail to earn – a living from freelance internet writing. Perhaps would-be freelancers should take a cue from Ian Hamilton’s 1998 London Review of Books essay in which he espoused the benefits – or perils – of accepting prizes and other literary subsidies.
“Poised to shake up the genre with its daring choice of protagonist, a groundbreaking young adult novel released this week by author Joan Berman reportedly makes the bold choice of following a moody, independently minded high school student who could be described as something of a loner.” The Onion pokes fun at YA fiction.