A surreal theater production of Haruki Murakami’s Kafka on the Shore, directed by Yukio Ninagawa, premiered at the Lincoln Center Festival in July. Ian Buruma writes for the NYRB about the marriage of tradition and modernity, and Western and Eastern references in the play. As he puts it, “even without traditional references, the production—perhaps more than Murakami’s novel—is still unmistakably Japanese: stylized, poetic, comical, violent, full of spectacular effects, and often exquisitely beautiful to look at. The setting jumps at lightning speed from a bus station, to a library, to a sleazy bar area. Various characters emerge and disappear, like memories or scenes from a dream, in an assortment of moving transparent boxes.”
“People are deeply uncomfortable with the idea that the characters they love and regard as people, real people, were made up by someone, especially if that someone is a woman.” Cassandra Clare, the author who began by writing fanfiction and went on to pen the wildly successful The Mortal Instruments series, talks about her work with Penelope Green.
Simon & Schuster is planning to put out full-length audio editions of Ernest Hemingway’s novels. At the blog Okay Terrific, Steve figured out that Islands in the Stream will be read by Tommy Lee Jones and For Whom the Bell Tolls by Campbell Scott (and Steve is launching a campaign to get his own narrating gig.)Remember my post about book news RSS feeds? I’ve added the USA Today book news feed to the list. I use the book news feeds to generate the headlines that appear to the right. Any feeds that I’m missing? Let me know in the comments.Recently discovered The Publishing Contrarian via Books Inq. It’s full of all sorts of insidery book industry commentary.