At The New Yorker, Meghan O’Rourke lyrically reviews Anne Carson’s latest work Nox: “Grief is paradoxical … The literature of mourning enacts that dilemma; its solace is mainly in the ritual of remembering the dead and then saying, There is no solace and also, This has been going on a long time.”
For those of you who were not on Twitter yesterday, the novelist Elizabeth McCracken tweeted a series of tips for applying to MFA fiction programs. Among other bits of good advice, she says it’s generally best to apply with a solid short story rather than a novel chapter.
In a 2010 profile, Deborah Eisenberg told us, of her current efforts at writing fiction, “I’m sort of desperately throwing myself against pieces of paper and only coming up with what look like bug smears.” Now, as will shock none of her readers Eisenberg has come up with something considerably more appetizing: a new short story called “Recalculating.” It’s available, free, at the NYRB (!).
True Detective ended weeks ago, but someone once told me, “Time is a flat circle,” and that everything we’ve ever done or will do, we’re gonna do over and over and over again. And this piece on the show’s finale by Lili Loofbourow is going to be the best one you’ll read on the internet again and again and again forever. (Bonus: Our own Ujala Sehgal crafted a reading list based on one of the show’s [missing] elements.)
It’s “Bulgaria Week” at Granta, and you can celebrate by reading two of Ivan Landzhev‘s poems, a short story by Rayko Baychev, a piece by Georgi Tenev, and many more. In case that isn’t enough, however, FiveChapters has posted Miroslav Penkov‘s “Makedonija,” and he has a short essay on the FSG Work in Progress site.