At The New Yorker, Meghan O’Rourke lyrically reviews Anne Carson’s latest work Nox: “Grief is paradoxical … The literature of mourning enacts that dilemma; its solace is mainly in the ritual of remembering the dead and then saying, There is no solace and also, This has been going on a long time.”
A scholar who has uncovered Walt Whitman‘s handwritten documents announced his findings Tuesday at the National Archives. These documents are from Whitman‘s time as a government worker, concerning civil rights, war crimes, treason, and western expansion. View the documents here.
“My mind flashed that disembodied jaw at me in a jaw’s version of full color; a dirty white that bone and snow agree on.” This piece of original short fiction from Kashana Cauley at The Daily Beast will make you never want to set foot in a Hermés store–or even just shop on Black Friday.
Measuring a writer’s success is tricky. An author might make The New York Times Bestseller List now but only be a footnote in an encyclopedia a century later. At The Guardian, D.J. Taylor wonders what contributes to a writer’s posterity and concludes a pushy publisher or sponsor is often a writer’s best asset. Pair with: Our essay on how John Updike fans attempt to maintain his reputation.
Out this week: The Throwback Special by Chris Bachelder; Burning Down the House by Jane Mendelsohn; Stork Mountain by Miroslav Penkov; Shelter by Jung Yun; Margaret the First by Danielle Dutton; and The North Water by Ian McGuire. For more on these and other new titles, go read our Great 2016 Book Preview.
“And so despite my esteem for the high challenge of writing, for the reach of the writerly life, it’s not something anyone actually wants me to do. The American mind has made that very clear, it has said: ‘Be a specialised something — fill your head with the zeitgeist, with the technical — and we’ll write your ticket.’”